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Collection
Prints and Drawings
86
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
66
Cooke, George, 1781–1834
10
Pye, John, 1782–1874
9
Byrne, John, 1786–1847
5
Heath, Charles, 1785–1848
5
Hollis, George, 1792–1842
5
Cooke, William Bernard, 1778–1855
4
Le, Keux John, 1783–1846
4
Middiman, Samuel, ca. 1750–1831
4
Rawle, Samuel, 1771–1860
4
Smith, William R., active 1819–1851
4
Unknown artist
4
Arnald, George, 1763–1841
3
Fittler, James, 1758–1835
3
Higham, Thomas, 1796–1844
3
Scott, John, 1774–1828
3
Allason, Thomas, 1790–1852
2
Boys, Thomas Shotter, 1803–1874
2
Hakewill, James, 1778–1843
2
Howitt, Samuel, 1756–1822
2
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Creator
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Date
1834
278
1830
183
1794
157
1800
153
1833
153
1793
147
1804
142
1825
135
1802
105
1827
104
1803
99
1812
91
1811
87
1818
[remove]
86
1850
86
1814
82
1832
80
1828
78
1835
78
1789
76
1808
76
1799
73
1820
73
1826
72
1821
71
1797
69
1836
69
1838
66
1792
65
1831
62
1847
62
1859
60
1824
59
0
56
1813
54
1807
52
1810
52
1819
52
1829
52
1822
51
1809
50
1795
49
1839
48
1837
46
1745
45
1816
45
1739
39
1842
39
1801
38
1851
37
1855
37
1845
36
1806
34
1805
33
1823
33
1798
30
1815
29
1817
29
1796
28
1844
28
1896
28
1630
27
1762
22
1783
21
1840
21
1841
21
1857
21
1858
20
1848
19
1700
18
1780
18
1790
18
1846
18
1852
18
1791
16
1853
16
1947
15
1750
14
1781
13
1784
13
1788
13
1921
13
1778
12
1785
12
1719
11
1787
11
1849
11
1854
11
1856
11
1860
11
1902
11
1907
11
1867
10
1891
10
1918
10
1843
9
1898
9
1735
8
1775
8
1782
8
On-site Access
Accessible by appointment in the Study Room
86
Image Use
Free to Use
[remove]
86
Image Available
Available
85
Unavailable
1
Classification
Prints
[remove]
86
Creator Gender
male
85
unknown
4
Collective Title
A Picturesque Tour of Italy
29
Whitaker's History of Richmondshire
26
Cooke's Picturesque Views of the Southern Coast of England
5
Picturesque Views of the Antiquities of Pola in Istria
2
Liber Studiorum
1
Period
19th century
86
Materials & Techniques
wove paper
[remove]
86
etching (printing process)
71
line engraving
50
chine collé
44
engraving (printing process)
16
stipple engraving
4
colored ink
3
mezzotint
3
aquatint
1
brown ink
1
graphite
1
laid paper
1
lithography
1
soft-ground etching
1
Height [cm]
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72
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0
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89
Work Type
intaglio print
86
frontispiece
2
Genre
landscape
54
architectural subject
43
cityscape
20
marine art
10
genre subject
9
animal art
2
botanical subject
1
portrait
1
religious and mythological subject
1
Subject Terms
river
32
landscape (representation)
25
architectural subject
23
cityscape
14
bridge
8
church
8
genre subject
8
abbey
7
castle
7
men
7
ruin
6
marine art
5
trees
5
waterfall
5
women
5
boats
4
buildings
4
labor
4
mountain
4
basilica
3
more
Subject Terms
»
Associated Places
England
27
United Kingdom
26
Europe
17
Durham
10
Italy
10
Tees
9
North Yorkshire
8
Richmond
7
Swale
5
Abbey of St. Agatha, Easby
3
Arno
3
Bowes
3
Castel Sant'Angelo
3
Egglestone Abbey
3
Firenze
3
Greta
3
Lazio
3
Meuse
3
Palazzo Vecchio
3
Ponte Sant'Angelo
3
more
Associated Places
»
Associated People
Venus
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
73
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Materials & Techniques
wove paper
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Date
1818
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Image Use
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Classification
Prints
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Masonry
Search Results
1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
3
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
4
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
5
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
6
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
7
Print made by John Byrne, 1786–1847
Rome, Tomb of Cecilia Metella
1818-1820
8
Print made by John Byrne, 1786–1847
Rome, Tomb of Cecilia Metella
1818-1820
9
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
10
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
11
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
12
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
13
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
14
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
15
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
16
Print made by John Landseer, 1769–1852
Fall of the Tees
1818-1823
17
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
18
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
19
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
20
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
21
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
22
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
23
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
24
Print made by George Hollis, 1792–1842
Rome, Bridge and Castle of St. Angelo, on the Tyber
1818
25
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
26
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
27
Print made by George Hollis, 1792–1842
Rome; Bridge and Castle of St. Angelo on the Tyber
1818
28
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
29
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818-1820
30
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818
31
Print made by William Richardson, active 1842–1877
The Roman Forum from the Tower of the Capitol
1818-1820
32
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
33
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
34
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
35
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
36
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
37
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
38
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
39
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
40
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
41
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
42
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
43
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
44
Print made by James Fittler, 1758–1835
Isola Bella on the Lago Maggiore
1818-1820
45
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
46
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
47
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
48
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
49
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carria
1818-1820
50
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
51
Print made by John Landseer, 1769–1852
Fall of the Tees
1818-1823
52
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
53
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
54
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
55
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
56
Print made by François-Séraphin Delpech, 1778–1825
Ratisbonne
between 1818 and 1825
57
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
58
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
59
Print made by George Cooke, 1781–1834
The Roman Forum from the Tower of the Capitol
1818
60
Print made by George Hollis, 1792–1842
Rome, Bridge and Castle of St. Angelo on the Tyber
1818
61
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte Alla Carraia
1818
62
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
63
Print made by George Cooke, 1781–1834
Naples, from the Mole
1818-1820
64
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
65
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
66
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
67
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountain
1818-1823
68
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
69
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
70
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
71
Print made by James Johnson, 1803–1834
Venus Bathing
undated
72
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
73
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
74
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
75
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
76
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
77
unknown artist
A View of Cold Harbor in Thames Street, London
1818
78
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
79
Print made by Charles John Smith, 1803–1838
Exterior View of Astley's Amphitheatre
undated
80
Print made by Thomas Dale, active ca. 1921
St. Dunstans Stepney
1818
81
Print made by James Baily, active 1815–1834
Brighton and Beachy Head, on the Coast of Sussex
1818
82
Print made by Samuel Howitt, 1756–1822
Fox and Partridges
1818
83
Print made by Samuel Howitt, 1756–1822
The Buck's Death Wound
1818
84
after James Barenger, 1780–after 1831
Doll, A Celebrated Pointer
1818
85
Print made by unknown artist
Waterfal of Pissevache
1818
86
Published by Robert Bowyer, 1758–1834
Key to the Portraits in the House of Lords, Key to the Print of the Coronation
ca. 1823