"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
11
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
12
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
13
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse About to Jump a Rail Fence to the Right
undated
14
Henry Thomas Alken, 1785–1851
Snipe Shooting
undated
15
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
16
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
17
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through
undated
18
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Jumping a Stile
undated
19
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Returning Hounds to Kennels
undated
20
Samuel Alken, 1756–1815
Ferreting
undated
21
Samuel Alken, 1756–1815
Groom with a Rearing Horse
undated
22
Helen Allingham, 1848–1926
A Study of a Venetian Cobbler
undated
23
John Augustus Atkinson, 1775–1831
A Fireman
undated
24
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
25
James Barry, 1741–1806
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
26
Charles Beale, 1660–1714?
Portrait Study of a Man's Face
undated
27
Attributed to Sir William Beechey, 1753–1839
Portrait of a Man
undated
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
50
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
51
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
52
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
53
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
54
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
55
Sir Muirhead Bone, 1876–1953
Spanish Ice Vendor
undated
56
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
57
Hercules Brabazon Brabazon, 1821–1906
Amouk, after Goya
undated
58
Hercules Brabazon Brabazon, 1821–1906
Cardinal Bentivoglio
undated
59
Hercules Brabazon Brabazon, 1821–1906
Portrait of a Man
undated
60
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
61
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
62
Edward Burne-Jones, 1833–1898
Salvator Mundi
1882
63
Edward Burne-Jones, 1833–1898
Cupid and Psyche
ca. 1870
64
Edward Francis Burney, 1760–1848
The Boatman
undated
65
John Burr, 1831–1893
Drifting
1885
66
William Callow, 1812–1908
Landscape with Sheep
undated
67
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
68
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
69
George Chinnery, 1774–1852
Portrait of a Man
between 1795 and1805
70
Attributed to Luke Clennell, 1781–1840
Man in a Brimmed Hat
undated
71
Attributed to William Collins, 1788–1847
Landscape with Man on Beach
undated
72
imitator of Richard Cosway, 1742–1821
Study for a Miniature Portrait of a Member of the Royal Family
undated
73
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
74
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
75
David Cox, 1783–1859
Going to the Hayfield
early 1850s
76
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
77
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
78
Joseph Crawhall, 1861–1913
“The Master.” Hark to Statesman
ca. 1900
79
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
80
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
81
Isaac Cruikshank, 1764–1811
Before the Magistrate
undated
82
Robert Isaac Cruikshank, 1789–1856
To Let with Room
undated
83
attributed to Richard Dadd, 1817–1886
A Seated Figure on Horseback
undated
84
Richard Dadd, 1817–1886
Sketch of Robin Hood
1852
85
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
86
Francis Danby, 1793–1861
Oberon and Titania
1837
87
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
88
Nathaniel Dance, 1735–1811
Couple Dancing
undated
89
John Scarlett Davis, 1804–1845
Self Portrait (?)
ca. 1824
90
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
91
Edward Dayes, 1763–1804
Melrose Abbey, Roxburghshire
1792
92
Peter DeWint, 1784–1849
Windsor from below the Locks
undated
93
Richard Dighton, 1795–1880
Reverend Moore
1841
94
Richard Dighton, 1795–1880
Mr. Smith Dorian, 1841
1841
95
Richard Dighton, 1795–1880
Mr. Ashton Smith
1841
96
Richard Dighton, 1795–1880
Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham