<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Date 1745

Remove constraint Date: 1745

Search Results

James Adam Landscape with River and Figures
James Adam, 1732–1794
Landscape with River and Figures
undated
Alexander Bannerman Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
Alexander Bannerman Hamlet Winstanley
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
Alexander Bannerman Verrio
Alexander Bannerman, ca. 1730–1780
Verrio
undated
Alexander Bannerman Francis Wouters
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
Alexander Bannerman Sir Christopher Wren and Hugh Howard
Alexander Bannerman, ca. 1730–1780
Sir Christopher Wren and Hugh Howard
undated
Alexander Bannerman John Wyck and Thomas Wyck
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
Alexander Bannerman John Wyck and Thomas Wyck
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
Alexander Bannerman Frederick Zucchero
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
Alexander Bannerman Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
Alexander Bannerman Hamlet Winstanley
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
Alexander Bannerman Gerard Zoust, Edema and Grifiere
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
Alexander Bannerman Warner Valliant, Vandrebanc, Francis Place, & William Lodge
Alexander Bannerman, ca. 1730–1780
Warner Valliant, Vandrebanc, Francis Place, & William Lodge
undated
Alexander Bannerman Sir Toby Matthews
Alexander Bannerman, ca. 1730–1780
Sir Toby Matthews
undated
Alexander Bannerman Talman, Sir Ralph Cole and Marco Ricci
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole and Marco Ricci
undated
Alexander Bannerman Talman, Sir Ralph Cole, and Marco Ricci
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
Alexander Bannerman John Riley and Egbert Hemskirt
Alexander Bannerman, ca. 1730–1780
John Riley and Egbert Hemskirt
undated
Alexander Bannerman Henry Steenwyck
Alexander Bannerman, ca. 1730–1780
Henry Steenwyck
undated
Alexander Bannerman Robert Streater
Alexander Bannerman, ca. 1730–1780
Robert Streater
undated
Alexander Bannerman Peter Vander Meulen
Alexander Bannerman, ca. 1730–1780
Peter Vander Meulen
undated
Alexander Bannerman Van Diest and Le Piper
Alexander Bannerman, ca. 1730–1780
Van Diest and Le Piper
undated
Alexander Bannerman Anthony van Dyck
Alexander Bannerman, ca. 1730–1780
Anthony van Dyck
undated
Alexander Bannerman Dobson
Alexander Bannerman, ca. 1730–1780
Dobson
undated
Alexander Bannerman William Faithorne
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
Alexander Bannerman John Greenhill
Alexander Bannerman, ca. 1730–1780
John Greenhill
undated
Alexander Bannerman Adrian Hanneman
Alexander Bannerman, ca. 1730–1780
Adrian Hanneman
undated
Alexander Bannerman George Jamesone
Alexander Bannerman, ca. 1730–1780
George Jamesone
undated
Alexander Bannerman Boit. Baker.
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
Alexander Bannerman Boit. Baker.
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
Alexander Bannerman Simon Du Bois
Alexander Bannerman, ca. 1730–1780
Simon Du Bois
undated
Alexander Bannerman John Greenhill
Alexander Bannerman, ca. 1730–1780
John Greenhill
undated
Alexander Bannerman James Gibbs
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
Alexander Bannerman Marc Garrard
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
Alexander Bannerman Murray
Alexander Bannerman, ca. 1730–1780
Murray
undated
Alexander Bannerman Robert Streater
Alexander Bannerman, ca. 1730–1780
Robert Streater
undated
Alexander Bannerman John van Belcamp and Geldorp
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
Alexander Bannerman Anthony Vandyck
Alexander Bannerman, ca. 1730–1780
Anthony Vandyck
undated
Alexander Bannerman John Mabuse
Alexander Bannerman, ca. 1730–1780
John Mabuse
undated
Alexander Bannerman Cibber
Print made by Alexander Bannerman, ca. 1730–1780
Cibber
undated
Alexander Bannerman Cibber
Alexander Bannerman, ca. 1730–1780
Cibber
undated
Alexander Bannerman Murray
Alexander Bannerman, ca. 1730–1780
Murray
undated
Alexander Bannerman Edward Pierce, Senior and Junior
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior and Junior
undated
Alexander Bannerman Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
Alexander Bannerman, ca. 1730–1780
Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
undated
Alexander Bannerman Edward Pierce, Senior & Junior
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior & Junior
undated
Alexander Bannerman Peter Roestraten
Alexander Bannerman, ca. 1730–1780
Peter Roestraten
undated
Alexander Bannerman George Lambert
Alexander Bannerman, ca. 1730–1780
George Lambert
undated
Alexander Bannerman La Soeur
Alexander Bannerman, ca. 1730–1780
La Soeur
undated
Alexander Bannerman George Lambert
Alexander Bannerman, ca. 1730–1780
George Lambert
undated
Bernard Baron Marriage A-La-Mode, Plate II: The Breakfast Scene
Bernard Baron, 1696–1762
Marriage A-La-Mode, Plate II: The Breakfast Scene
1745
Bernard Baron Marriage A-La-Mode, Plate III: The Scene with the Quack
Bernard Baron, 1696–1762
Marriage A-La-Mode, Plate III: The Scene with the Quack
1745
Bernard Baron Marriage à la Mode, Plate 3
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 3
1745
Bernard Baron Marriage à la Mode, Plate 2
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 2
1745
James Basire A View of the Old Palace at Hampton Court from the Thames
James Basire, 1730–1802
A View of the Old Palace at Hampton Court from the Thames
undated
James Basire Dr. Johnson's Monument
James Basire, 1730–1802
Dr. Johnson's Monument
undated
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Giovanni Battista Borra Ruins at Pergamon, Probably of the Amphitheatre
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
Giovanni Battista Borra View of Ruins of the Asclepium at Pergamon
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra Members of an Ionic Temple at Teos
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
Giovanni Battista Borra Situazione Di Ceramo
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
Giovanni Battista Borra View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
Giovanni Battista Borra Cnidus: Plan of the Harbor and Map of Sites
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Cnidus
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
Giovanni Battista Borra Napolosa in Samaria
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Plan of Lake Tiberias
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Giovanni Battista Borra Ruines à Troye
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
Giovanni Battista Borra View of Micale Promontorio
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Scutari
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
Giovanni Battista Borra View of Sigacik (Ancient Teos)
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
Giovanni Battista Borra Plan of the Port of Sigacik (ancient Teos)
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
Giovanni Battista Borra View of a Long Aqueduct
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
Giovanni Battista Borra View of Artaki (now Erduk)
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750