Creator Gender: male / Associated Places: Europe / Subject Terms: clouds and men

1. The Liverpool and National Steeplechase at Aintree, 1843

Creator:: William Tasker, 1808–1852
Date:: ca. 1843
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

Creator:: George Smith, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Drainage Mills in the Fens, Croyland, Lincolnshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 21 3/4 x 36 1/8 inches (55.2 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. A Dutch Barge and Merchantmen Running out of Rotterdam

Creator:: Clarkson Stanfield, 1793–1867
Date:: 1856
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 48 inches (78.7 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

5. Muly Moloch

Creator:: Benjamin Marshall, 1768–1835
Date:: 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Gillingham on the Medway

Creator:: William James Muller, 1812–1845
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 26 1/4 inches (34.3 × 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Eastbourne from Lord G.: Cavendish's Seat in the Park

Creator:: John Nixon, ca. 1760–1818
Date:: 1787
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/16 × 7 1/2 inches (13.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Ancienne Porte a Stirling

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Façade de l'Eglise de Brou

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Tour aux Archives a Vernon

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Château Vilain sur la Riviere Dain, Franche Comte

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

24. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

27. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. Italian Fair

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1923
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 9/16 x 8 3/4 inches (16.7 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

31. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966
Date:: 1933
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Monitors

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 5 5/8 × 8 11/16 inches (14.3 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

37. Lincoln from the River Witham

Creator:: Print made by S. T. Davies, active ca. 1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Witley Court in Worcestershire, the Seat of Lord Foley

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

45. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tilbury

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 6 15/16 inches (8.3 × 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

47. Folkestone

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/2 × 12 3/8 inches (24.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

48. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1790
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 5/8 inches (13.7 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

51. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

52. Ships of the Line off Dover

Creator:: Samuel Atkins, active 1787–1808
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 5/8 inches (11.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Craig y Ladron - The Thieves Precipice

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Northern Boundary of St. Bride's Bay

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Val d'Aosta, Piedmont

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 x 28 inches (49.2 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. St. Martin's Church

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

57. Tour de l'horloge, Tours

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 20 5/16 x 14 1/2 inches (51.6 x 36.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

Refine your search

Search Constraints

Creator Gender male

Associated Places Europe

Subject Terms clouds

Subject Terms men

Search Results

1. The Liverpool and National Steeplechase at Aintree, 1843

2. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

3. Drainage Mills in the Fens, Croyland, Lincolnshire

4. A Dutch Barge and Merchantmen Running out of Rotterdam

5. Muly Moloch

6. Gillingham on the Medway

7. Eastbourne from Lord G.: Cavendish's Seat in the Park

8. A View at Terracina

9. Hotel de Ville, Hague

10. Ancienne Porte a Stirling

11. Croix de Moulin les Planches

12. Façade de l'Eglise de Brou

13. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

14. Tour aux Archives a Vernon

15. Château Vilain sur la Riviere Dain, Franche Comte

16. Vue Generale de l'Eglise de l'Abbaye de Tournus

17. Bridgenorth, Shropshire

18. An Encampment in St. James Park

19. Meuse and Sambre, from the Gate of the Sambre

20. A View of Core's Library, Dawlish, Devon

21. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

22. Left Bank, Meuse

23. The Breaking Up of the Agamemnon, no. 2

24. A View of Erith, Looking Up the Thames

25. Bergues - La Tour du Marché

26. Rue du Gros-Horloge, Rouen

27. Lillebonne - Château d'Harcourt

28. A Spanish Good Friday

29. Italian Fair

30. L'Eglise de St. Gervais et St. Protais

31. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

32. Thornbury Castle, Gloucestershire

33. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

34. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

35. Newmarket - Pulling Up

36. Monitors

37. Lincoln from the River Witham

38. Glasgow Cathedral

39. The Tithe Barn at Abbotsbury with the Abbey on the hill...

40. The Abbey Mill, Knaresborough

41. Sandsend, Yorkshire

42. Witley Court in Worcestershire, the Seat of Lord Foley

43. Penzance, Cornwall

44. Garrick Reading the Ode at the Shakespeare Jubilee

45. Rochester, Kent: from the North

46. Tilbury

47. Folkestone

48. The Ascent of Vesuvius

49. Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire

50. Dundry Tower, Leigh Wood, Hotwell House, Clifton

51. The Sea Walls, from the Leigh Wood Quarry, Clifton

52. Ships of the Line off Dover

53. Craig y Ladron - The Thieves Precipice

54. The Northern Boundary of St. Bride's Bay

55. The Val d'Aosta, Piedmont

56. St. Martin's Church

57. Tour de l'horloge, Tours