Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
10
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
11
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
12
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
13
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
14
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
15
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
16
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
17
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
18
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
19
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
20
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
21
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
22
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
23
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
24
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
25
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
26
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
27
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
28
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
29
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
30
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
31
Francesco Bartolozzi, 1728–1815
Cordelia
1784
32
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
33
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
34
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
35
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
36
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
37
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
38
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
39
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
40
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
41
Print made by Daniel Berger, 1744–1824
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
42
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
43
Print made by John Blackmore, active 1740–1780
Sigismonda
between 1769 and 1771
44
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
45
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
46
Print made by William Blake, 1757–1827
Jerusalem, Plate 52, "To the Deists...."
1804 to 1820
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
48
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
49
Print made by William Blake, 1757–1827
Jerusalem, Plate 55, "When those who disregard...."
1804 to 1820
50
Print made by William Blake, 1757–1827
Jerusalem, Plate 56, "Then Los heaved...."
1804 to 1820
51
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
52
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
53
Print made by William Blake, 1757–1827
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
54
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
55
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
56
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
57
Print made by William Blake, 1757–1827
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
58
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
61
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
62
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
63
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
64
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
65
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
66
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
67
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
68
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
69
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
70
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
71
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
72
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
73
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
74
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
75
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
76
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
77
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
78
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
79
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
80
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
81
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
82
Print made by William Blake, 1757–1827
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
83
Print made by William Blake, 1757–1827
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
84
Print made by William Blake, 1757–1827
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
85
Print made by William Blake, 1757–1827
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
86
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
87
Print made by William Blake, 1757–1827
Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
1804 to 1820
88
Print made by William Blake, 1757–1827
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
89
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
90
Print made by William Blake, 1757–1827
Jerusalem, Plate 63, "Jehovah stood among the Druids...."
1804 to 1820
91
Print made by William Blake, 1757–1827
Jerusalem, Plate 65, "To decide Two Worlds...."
1804 to 1820
92
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
93
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
94
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."