Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
5
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
6
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
7
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
8
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
9
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
10
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
11
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
12
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
13
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
14
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
15
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
16
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
17
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
18
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
19
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
20
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
21
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
22
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
23
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
24
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
25
Valentine Green, 1739–1813
Rinaldo and Armida
1775
26
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
27
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
28
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
29
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
30
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
31
John Dean, 1754–1798
Thomas Leland
1777
32
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
33
George Romney, 1734–1802
John Henderson as Falstaff
1780
34
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
35
Print made by Robert Blyth, 1750–1784
The Captive
1781
36
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
37
Mary Hoare, 1744–1820
Prospero and Miranda
1781
38
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
39
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
40
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
41
unknown artist
The Death of Cordelia
undated
42
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
43
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
44
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
45
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
46
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
47
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
48
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
49
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
50
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
55
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
56
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
57
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
59
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
60
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
61
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
62
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
63
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
64
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
65
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
68
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
69
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
70
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
71
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
72
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
73
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
74
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
75
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
76
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
77
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
78
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
79
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
80
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
81
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
82
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
83
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
84
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
85
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
86
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
87
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
88
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
89
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
90
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
91
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
92
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
93
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
94
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
95
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
96
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
97
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life