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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type drawing
Remove constraint Work Type: drawingWidth [cm] 17
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1
- Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
- 1972
2
- View of Ely Cathedral
- ca. 1796
3
- The Channel Sketchbook
- ca. 1845
4
- Steeton Manor House, Near Farnley
- between 1815 and 1818
5
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
6
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
7
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
8
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
9
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
10
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
11
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
12
- America. A Prophecy, Plate 2, Title Page
- 1793
13
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
14
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
15
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
16
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
17
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
18
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
19
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
20
- Europe. A Prophecy, Plate 2, Title Page
- 1794
21
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
22
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
23
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
24
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
25
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
26
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
27
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
28
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
29
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
30
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
31
- America. A Prophecy, Plate 1, Frontispiece
- 1793
32
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
33
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
34
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
35
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
36
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
37
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
38
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
39
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
40
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
41
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
42
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
43
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
44
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
45
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
46
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
47
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
48
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
49
- Study of a Clouded Moonlit Sky
- undated
50
- A Seated Woman
- undated
51
- Man Seated on a Bank
- undated
52
- Rear View of a Goat Lying in a Forest
- undated
53
- Sleeping Dog
- undated
54
- Evening Sky on the Coast
- between 1859 and 1861
55
- A Street at Night with Figures at a Stall
- 1849
56
- Faust and Margaret
- undated
57
- Design for Midsummer Night's Dream
- undated
58
- Castle on the Sea Coast
- undated
59
- Old Lion Insulted
- undated
60
- The Canada Lynx from the Life
- ca. 1817
61
- North American Lynx
- ca. 1817
62
- Roller: Garrulous Roller
- before 1790
63
- Two Little Girls
- ca. 1810
64
- Wreck and the Merchant Vessel, St. George, at Deal, Kent
- 1807
65
- Warbler: Reed Wren
- before 1790
66
- Jackdaw
- before 1790
67
- Falcon: Hen Krestel
- before 1790
68
- Hoopoe: Common Hoopoe
- before 1790
69
- Owl: Little Owl
- before 1790
70
- Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
- ca. 1622
71
- Self Portrait
- undated
72
- Woman with Child
- undated
![John Sanderson [One of] Five Ceiling Designs](https://media.collections.yale.edu/thumbnail/ycba/14bd58b4-69bb-4c6a-8885-64b8685b3c60)
73
- [One of] Five Ceiling Designs
- undated
74
- Design for a Monument
- undated
75
- North Wales
- 1813
76
- Millbank
- 1806
77
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
78
- Swiss Valley Landscape
- 1885
79
- Study of a Vampire Bat
- undated
80
- Honey-Badger
- 1817
81
- Polecat
- ca. 1817
82
- Interior Scene with Family at Tea
- undated
83
- Sheet of Classical Figure Studies
- undated
84
- Landscape waith Figures, Cromach Water
- 1805
85
- Portrait of a Girl Sketching
- undated
86
- Portrait of a Lady at a Drawing Table
- undated
87
- Sky Study
- undated
88
- Sketch for "Reading the Will"
- before 1820
89
- Woman with Square Hat
- undated
90
- Landscape with River and Cliffs
- undated
91
- Two Sketches: Country House and Mountainous Landscape
- undated
92
- Nuk (Guizotia abyssinica)
- undated
93
- Kummel (Mimsuops kummel)
- undated
94
- Farmhouse
- 1802-1804
95
- On the Medina, 27 May 1826
- 1826
96
- Millfield, East Cowes, 25 May 1832
- 1832
97
- In Padmore Garden, May 1833
- 1833
98
- Millfield, East Cowes, Sunday 27 May 1832
- 1832
99
- Study of Two Figures standing Together
- undated
100
- Canterbury Cathedral
- 1807