View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
Edward Francis Burney, 1760–1848
Farmhouse
1802
4
Cornelius Varley, 1781–1873
Carnarvon
1802
5
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
6
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
7
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
8
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
9
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
10
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
11
James de Carle Sowerby, 1787–1871
Zebra
undated
12
James de Carle Sowerby, 1787–1871
Three Toucans
undated
13
James de Carle Sowerby, 1787–1871
A Crane
undated
14
James de Carle Sowerby, 1787–1871
A Parrot
undated
15
James de Carle Sowerby, 1787–1871
Heads of Two Proboscis Monkeys
undated
16
James de Carle Sowerby, 1787–1871
A Parrot
undated
17
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
18
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
19
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
20
Print made by S. Porter, active 1802
Durham Cathedral
1802
21
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
22
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
23
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
24
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
25
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
26
unknown artist
Cupid in Search of Venus' Dove, Prior's Poems, Vol. II
1802
27
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
28
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
29
Print made by William Say, 1768–1834
The Cottar's Door
1802
30
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
31
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
32
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
33
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
34
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
35
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
36
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
37
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
38
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
39
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
40
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
41
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
42
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
43
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
44
James de Carle Sowerby, 1787–1871
A Parrot
undated
45
Samuel William Reynolds, 1773–1835
Lord Hugh Seymour
1802
46
Samuel Rawle, 1771–1860
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
47
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
48
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
49
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
50
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
51
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
52
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
53
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
54
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
55
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
56
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
57
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
58
James Hook, ca. 1772–1828
A Regency Pair
1802
59
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
60
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
61
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
62
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
63
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
64
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
65
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
66
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
67
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
68
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
69
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
70
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
71
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
72
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
73
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
74
unknown artist
Light Head Dress and Long Petticoats
1802
75
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
76
Print made by Richard Cooper the Younger, 1740–1814
Landscape with Group of Trees
1802, published 1806
77
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
78
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
79
George Clint, 1770–1854
General James Stuart
1802
80
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
81
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Arsenal From the Place de St. Michel
1802
83
Sir Robert Smirke the younger, 1781–1867
Lyons - From the Bridge at the Junction of the Rhone & Soane
1802
84
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
86
Sir Robert Smirke the younger, 1781–1867
Nîmes
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Farmhouse
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
Sketches of a Glass Display Case With a Curtain
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Tivoli
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Lavora in Terra Cotta Ritrovato in Villa Adriana in Tivoli
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Specimens of a Private House in Venice
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Another Specimen of the Same Style
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Study of a Bridge
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
Specimens of the Private Houses of Venice
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
At Ancona, Italy
1802-1804
97
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
98
Sir Robert Smirke the younger, 1781–1867
Gateway to a House in Ancona
1802-1804
99
Sir Robert Smirke the younger, 1781–1867
View of the Interior of One of the Churches in Ancona