Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
4
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
5
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
6
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
7
Luke Sullivan, 1705–1771
Badminton Church and Part of the Duke of Beaufort's House
undated
8
John Inigo Richards, 1730/31?–1810
Inside of Castle Gate, Taunton, Somerset
1752
9
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
10
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
11
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
12
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
13
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
14
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
15
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
16
James Moore, 1762–1799
Bungay Castle
1790
17
James Moore, 1762–1799
Wingfield Castle
1790
18
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
19
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
20
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Details of the Doric Order from the Athenian Temple of Apollo at Delos
1751
22
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
23
John Robert Cozens, 1752–1797
Ye Sybil's Temple at Tivoli
undated
24
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
27
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
29
unknown artist
William, Earl of Craven
1791
30
unknown artist
Arundel House in London 1646
1792
31
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
32
Richard Bernard Godfrey, 1728–op.1794
Knighton, the Seat of George M. Bisset, Esq
before 1781
33
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
34
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
35
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
37
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
38
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
40
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
41
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
42
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
44
Giovanni Battista Borra, 1713–1770
Part of the Portico of Philip at Delos
1751
45
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
46
Giovanni Battista Borra, 1713–1770
An Altar at Delos
1751
47
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
48
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
49
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
52
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
54
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
55
John Robert Cozens, 1752–1797
Temple of Vesta, Tivoli
undated
56
unknown artist
The Bank of England and Threadneedle Street, circa 1780
ca. 1780
57
Samuel Middiman, ca. 1750–1831
Barn-Elms, Surrey
1785
58
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
59
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
60
James Moore, 1762–1799
Wingfield Castle
1790
61
James Moore, 1762–1799
Refectory of Walsingham
1790
62
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
63
James Moore, 1762–1799
Hadleigh Castle, Essex, England
1791
64
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
65
James Moore, 1762–1799
Ely Cathedral
1790
66
James Moore, 1762–1799
Hadleigh Castle, Essex, England
1791
67
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
68
Print made by Michael "Angelo" Rooker, 1746–1801
North East View of Sir John Elvil's House on Englefield Green near Egham in Surry
1775
69
Print made by Michael "Angelo" Rooker, 1746–1801
Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart
1775
70
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775
71
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
72
Samuel Davis, 1760–1819
The End of the Ruin'd Bridge at Rouen
1778
73
Heneage Finch fourth Earl of Aylesford, 1751–1812
Facade of Ruined (?) Roman Temple, with Columns and Doorway