Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
4
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
5
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
8
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
9
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
10
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
12
Print made by W. R. Smith, active 1819–1851
Amboise
1833
13
Print made by Robert Brandard, 1805–1862
Rietz near Saumur
1833
14
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
15
Print made by Robert Wallis, 1794–1878
Havre, Tower of Francis I
1834
16
Print made by James T. Willmore, 1800–1863
Tancarville
1834
17
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
18
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
19
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
20
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
21
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
22
Print made by Robert Brandard, 1805–1862
Rouen, looking up the river
1834
23
Print made by William Miller, 1796–1882
Rouen, looking down the river
1834
24
Print made by John Cousen, 1804–1880
Honfleur
1834
25
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
26
Print made by James T. Willmore, 1800–1863
Vernon
1835
27
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
28
Print made by John Horsburgh, 1791–1869
Hotel de Ville, Paris
1834
29
Print made by John Horsburgh, 1791–1869
Napoleon's Logement, Quai Conti
1834-1836
30
Print made by William Miller, 1796–1882
Brienne
1834
31
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
32
Print made by William Radclyffe, 1780–1855
Bridge of St. Cloud & Sevres
1835
33
Print made by James T. Willmore, 1800–1863
The Lanterne of St. Cloud
1835
34
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
35
Print made by Edward Francis Finden, 1791–1857
Bridge of St. Cloud from Sevres
1835
36
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
37
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
38
Print made by James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
39
Print made by William Miller, 1796–1882
St. Cloud
1834
40
Print made by William Richardson, active 1842–1877
Rouen Distant View
1836
41
Print made by John Horsburgh, 1791–1869
Hotel de Ville, Paris
1834
42
Print made by William Miller, 1796–1882
Brienne
1834
43
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
44
Print made by Robert Wallis, 1794–1878
Saumur
1830
45
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1828-1837
46
Print made by James T. Willmore, 1800–1863
Nantes
1828-1837
47
Print made by Robert Wallis, 1794–1878
Saumur
1830
48
Print made by James T. Willmore, 1800–1863
Nantes
1828-1837
49
Print made by James T. Willmore, 1800–1863
Nantes
1828-1837
50
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
51
Print made by James T. Willmore, 1800–1863
Nantes
1828-1832
52
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
53
Print made by Robert Wallis, 1794–1878
Havre
1833
54
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1828-1837
55
Print made by Robert Wallis, 1794–1878
Havre
1832
56
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
57
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
58
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
59
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
60
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
61
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
62
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
63
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
64
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
65
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
66
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
67
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
68
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
69
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
70
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
71
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
72
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
73
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629