Collection: Prints and Drawings / Associated Places: France - YCBA Collections Search Search Results

Joseph Mallord William Turner, 1775–1851

Corsica

between 1830 and 1835

Joseph Mallord William Turner, 1775–1851

Fishing Boats Becalmed off le Havre

undated

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851

Bonneville, Savoy

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851

Bonneville, Savoy

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

Joseph Mallord William Turner, 1775–1851

The Channel Sketchbook

ca. 1845

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner, 1775–1851

Lake Geneva and Mount Blanc

1802 to 1805

Joseph Mallord William Turner, 1775–1851

Tours: Sunset: Looking Backwards

between 1826 and 1830

Edward Lear, 1812–1888

Nice from the Genoa Road

1865

Edward Lear, 1812–1888

Entrance to the Port of Marseille

undated

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

Edward Lear, 1812–1888

A View of the Harbour at Cannes

1869

Edward Lear, 1812–1888

A View of the Pine Woods Above Cannes

1869

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

1802

attributed to Thomas Shotter Boys, 1803–1874

Le Château de Blois

undated

William Callow, 1812–1908

The Luxor, Paris, December 1833

1833

Richard Parkes Bonington, 1802–1828

Shipping in an Estuary, Probably near Quilleboeuf

1825 to 1826

Thomas Shotter Boys, 1803–1874

Le Pont Royal, Paris

ca. 1828

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Print made by Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame

1803

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Thomas Girtin, 1775–1802

View of the Pont St.Michel, taken from the Pont Neuf

1803

John Couse, active 1753–1764

The Theatre of Water..

Print made by unknown artist

The Obelisk in the Garden at Versailles

Remi Parr, active 1723–1750

The Triumphal Arch in the Garden of Versailles..

John Tinney, died 1761

A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden

undated

Print made by Nathaniel Parr, active 1742–1751

A Prospect of the Palace of Chantilli

1739

Print made by unknown artist

View of the Canal of Fountainbleau

unknown artist

A View of the Palace of Marli toward the little Parterre

unknown artist

A View of the Palace of Marli toward the little Parterre

Print made by William Miller, 1796–1882

Nantes

1833

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by James Baylis Allen, 1803–1876

Havre

1834

James Charles Armytage, 1802–1897

Jumièges

1834

Richard Banks Harraden, 1778–1862

The Waterworks at Marli; and St. German en Laye seen in the distance

1803

unknown artist

A View of the Palace of Triano towards the Flower Garden

between 1780 and 1815

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

1803

Thomas Girtin, 1775–1802

View of the Village of Chaillot, etc., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge, taken from the Quai d'Orsay

1802

Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton

1803

Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

1802

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1803

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

1803

Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

1803

Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, etc

ca. 1802

Richard Parkes Bonington, 1802–1828

Ile de la Cite

undated

Gwen John, 1876–1939

Rue Terre Neuve, Meudon

between 1920 and 1925

Walter Richard Sickert, 1860–1942

Le Garçon du Café Suisse

undated

Print made by unknown artist

View of the Flower Garden, & part of the Palace of Fountainbleau

John Tinney, died 1761

A View of the Flower Gardens of Seaux & of ye great Canal at a Distance

undated

Print made by Paul Angier, active 1749

A View of Paris

Nathaniel Parr, active 1742–1751

A Perspective View of the Cascade of St. Cloud

Print made by unknown artist

View of one Wing of Fountainebleau, taken from the Court of Fountains

Print made by John Couse, active 1753–1764

A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs

1789

John Couse A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

John Couse, active 1753–1764

A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

Print made by Nathaniel Parr, active 1742–1751

A Prospect of the Royal Palace of Thuilleries

Nathaniel Parr, active 1742–1751

A General View of the City of Paris taken from an Eminence in the Village of Chaillot

1749

John Tinney, died 1761

A View of the Chapel of the Palace of Versailles

unknown artist

The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..