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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney River God
George Romney, 1734–1802
River God
undated
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
Alexander Monro Landscape at Boxhill, Surrey
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Gilbert Stuart Newton Henry Fuseli
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
George Morland Peasants in a Grotto
George Morland, 1763–1804
Peasants in a Grotto
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
Henry Morton Windmill on the Sea Coast Near Hastings
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
Nicholas Pocock Man Drinking from a Spout
Nicholas Pocock, 1740–1821
Man Drinking from a Spout
undated
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
Philippe-Jacques de Loutherbourg The Front at Brighton
Philippe-Jacques de Loutherbourg, 1740–1812
The Front at Brighton
undated
James Scouler Portrait of a Gentleman
James Scouler, 1741–1812
Portrait of a Gentleman
1796
unknown artist Portuguese Man (Madeira), January 1868
unknown artist
Portuguese Man (Madeira), January 1868
1868
unknown artist Man Sitting on a Rock (Madeira Jan 16)
unknown artist
Man Sitting on a Rock (Madeira Jan 16)
1868
John Martin Landscape with Courting Couple
John Martin, 1789–1854
Landscape with Courting Couple
1839
John Martin Lot Fleeing Sodom
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
William Marlow Man Carrying Bundle on his Back
William Marlow, 1740–1813
Man Carrying Bundle on his Back
undated
Ambrose Poynter Sketches from Life in Paris: Man with Hanks of Rope
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man with Hanks of Rope
ca. 1835
Henry Morton Old Buildings at Hastings
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
Richard Crosse Portrait of a Gentleman
Richard Crosse, 1742–1810
Portrait of a Gentleman
undated
Abraham Daniel Portrait of a Gentleman
Abraham Daniel, died 1806
Portrait of a Gentleman
undated
Richard Gibson Portrait of a Gentleman
Richard Gibson, 1615–1690
Portrait of a Gentleman
undated
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
John Martin Daniel in the Den of Lions
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
Sir Horace Jones Part of Goodrich Castle
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
William Henry Hunt Portrait of a Man
William Henry Hunt, 1790–1864
Portrait of a Man
ca. 1820
William Henry Hunt A Young Scholar Goes Fishing
William Henry Hunt, 1790–1864
A Young Scholar Goes Fishing
ca. 1820
William Henry Hunt Interior of the Belfry, Bushey Church
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
William Henry Hunt Portrait of a Gentleman
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
unknown artist Unidentified Sitter
unknown artist
Unidentified Sitter
undated
Alfred William Hunt Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
William Henry Hunt Dagnall Lane, St. Albans
William Henry Hunt, 1790–1864
Dagnall Lane, St. Albans
ca. 1820
John Linnell William Short
John Linnell, 1792–1882
William Short
1820
Philip William May Wild Indian
Philip William May, 1864–1903
Wild Indian
undated
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby London Cries: A Man with a Basket (Man Selling Pots and Pans)
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
Paul Sandby London Cries: All Fire and No Smoke
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
Paul Sandby London Cries: A Man with a Bottle
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759