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101
- An Execution, Rome
- 1819
102
- Position pour la Garde en Quarte
- 1763
103
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
104
- Seconde Position du Salut
- 1763
105
- Cinquieme Position du Salut
- 1763
106
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
107
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
108
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
109
- De la Parade de Seconde sur le Coup de Seconde
- 1763
110
- De la Parade de Prime sur le Coup de Seconde
- 1763
111
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
112
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
113
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
114
- Du Desarmement sur le Coup de Tierce
- 1763
115
- De la Volte sur la Passe au Dehors des Armes
- 1763
116
- Side View of Single Barque
- undated
117
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
118
- Side View of Battleship Surrounded by Several Others in Heavy Seas
- undated
119
- Thornbury Castle, Gloucestershire
- undated
120
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
121
- Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
- undated
122
- Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
- undated
123
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
124
- Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
- undated
125
- Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan
- undated
126
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
127
- Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
- undated
128
- L'Orient 1776: Map of the Port of Orient
- 1776
129
- The Gate at Blenheim
- 1787
130
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
131
- A Pier at Amsterdam
- 1801
132
- Mrs. Abington
- undated
133
- Cat Like Courtship
- undated
134
- The Guards on the March for the Duke of York's Campaign in France
- undated
135
- Unidentified Town House: Front Elevation
- undated
136
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
137
- Design for a Ceiling
- undated
138
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
139
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
140
- London Cries: Flowers
- undated
141
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
142
- Italianate Landscape with Travellers no. 2
- ca. 1760
143
- Southampton Water
- undated
144
- St. James' Barracks from the Playground of the Model School
- 1857
145
- Forest Scenery near Tamana
- 1857
146
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
147
- For the Triumph of Britannia
- undated
148
- Firing a Salute
- 1770
149
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
150
- View on the Thames at Batersea
- undated
151
- Plan of the Mesquita of Cordova
- 1775 to 1776
152
- Study for "Reading the Will"
- 1820
153
- The Spanish Pointer
- ca. 1799
154
- The Artist and his Family
- 1813
155
- Somerset House, Saint Paul's Cathedral and Blackfriar's Bridge
- undated
156
- H.M.S. 'Time' in Deptford Dry Dock
- 1815
157
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
158
- Netley Abbey
- undated
159
- The Flagship of a Commander in Chief
- undated
160
- The Triumph of Music
- ca. 1815
161
- View of the Pont Royal
- ca. 1833
162
- Plymouth Dockyard after the Fire
- 1840
163
- The Hurduar Looking Up the River
- undated
164
- Dr. Syntax Made Free of the Cellar
- undated
165
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
166
- A View of Rome Taken from the Pincio
- 1776
167
- The Pont des Arts, Paris
- between 1831 and 1837
168
- General Joseph Sabine
- undated
169
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
170
- Lowestoft
- 1858
171
- A Fallen Oak
- ca. 1815
172
- The Acacia Tree - Figures in a Park
- undated
173
- Design for the Parterre at Hampton Court
- early 18th century
174
- Study for The Woodman's Daughter
- 1849
175
- The Amphitheater at Nimes
- undated
176
- View of Leghorn
- undated
177
- Sketch of the Pont du Gard
- undated
178
- Venus and Adonis
- 1631
179
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
180
- The Mansion House
- undated
181
- Design for a Shop Front: Elevation
- undated
182
- View of Bath from Spring Gardens
- 1790
183
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
184
- Landscape with Gorge and Cattle
- undated
185
- The Open-Air Preacher
- undated
186
- Sailors Carousing and Frying Watches
- undated
187
- River with Angler
- undated
188
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
189
- Brighton Races
- 1805
190
- Tivoli
- ca. 1768
191
- Tree Study with Stags (Landscape)
- undated
192
- Unidentified Office or Stables: Front Elevation
- ca. 1720
193
- Lake Nemi
- 1776
194
- Greenwich
- undated
195
- Windsor Castle
- undated
196
- Two Little Girls
- ca. 1810
197
- French Coast Scene with Fisherboy
- 1829
198
- Landing Place at Pallanza
- undated
199
- Men of War Lying off Sheerness
- undated
200
- Clare College, Cambridge
- 1841