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Dame Paula Rego Loving Bewick
Dame Paula Rego, 1935–2022
Loving Bewick
2001 to 2002
Richard Hamilton How a Great Daily Organ is Turned Out
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
Richard Hamilton The Heaventree of Stars
Print made by Richard Hamilton, 1922–2011
The Heaventree of Stars
1998
Richard Hamilton Bronze by Gold
Print made by Richard Hamilton, 1922–2011
Bronze by Gold
1985 to 1987
Richard Hamilton He Foresaw his Pale Body
Print made by Richard Hamilton, 1922–2011
He Foresaw his Pale Body
1990
Richard Hamilton The Transmogrifications of Bloom
Print made by Richard Hamilton, 1922–2011
The Transmogrifications of Bloom
1984 to 1985
Lewis Morley Front of House, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
unknown artist Apparition: Banquo?
unknown artist
Apparition: Banquo?
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
Richard Hamilton Finn MacCool
Print made by Richard Hamilton, 1922–2011
Finn MacCool
1983
Richard Hamilton Leopold Bloom
Print made by Richard Hamilton, 1922–2011
Leopold Bloom
1983
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Dame Elisabeth Frink The Miller's Tale II
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale II
1974
Dame Elisabeth Frink Prologue
Print made by Dame Elisabeth Frink, 1930–1993
Prologue
1972
Dame Elisabeth Frink The Nun's Priest Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Nun's Priest Tale
1972
George Chinnery Illustration to Fielding's Amelia
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Edward Burne-Jones The Briar Wood
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
unknown artist Banquo's Ghost?
unknown artist
Banquo's Ghost?
undated
unknown artist Scene from MacBeth: Banquo?
unknown artist
Scene from MacBeth: Banquo?
undated
unknown artist Birth of Shakespeare
unknown artist
Birth of Shakespeare
undated
Richard Hamilton In Horne's House
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
unknown artist Scene from the Inferno
unknown artist
Scene from the Inferno
undated
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Titania and Bottom from A Midsummer Night's Dream
unknown artist
Titania and Bottom from A Midsummer Night's Dream
undated
unknown artist Awakening of Titania
unknown artist
Awakening of Titania
undated
Lewis Morley Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Lewis Morley, 1925–2013
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
1960s
Lewis Morley Front of House, Saint Joan of the Stockyards
Lewis Morley, 1925–2013
Front of House, Saint Joan of the Stockyards
1960s
Lewis Morley Peter O'Toole in 'Baal'
Lewis Morley, 1925–2013
Peter O'Toole in 'Baal'
1963
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
Lewis Morley Gordon Jackson and Alec Guinness in 'Wild Child'
Lewis Morley, 1925–2013
Gordon Jackson and Alec Guinness in 'Wild Child'
1967
Marie Harnett Costume Party
Marie Harnett, born 1983
Costume Party
2015
Lewis Morley Front of House Display, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House Display, Hadrian the Seventh
1960s
Lewis Morley Council of Love Contact Sheet
Lewis Morley, 1925–2013
Council of Love Contact Sheet
1970
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
Edward Burne-Jones The Council Chamber
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
Joshua Cristall Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
Dame Elisabeth Frink The Miller's Tale I
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale I
1974
Dame Elisabeth Frink Wife of Bath's Tale
Print made by Dame Elisabeth Frink, 1930–1993
Wife of Bath's Tale
1972
Dame Elisabeth Frink The Franklin's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Franklin's Tale
1972
Dame Elisabeth Frink The Reeve's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Reeve's Tale
1972
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
David Allan Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Thomas Uwins Gil Blas Practicing Medicine Under Dr. Sangrado
Thomas Uwins, 1782–1857
Gil Blas Practicing Medicine Under Dr. Sangrado
between 1820 and 1822
Ralph Hudson The Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
unknown artist Malvoleo
unknown artist
Malvoleo
undated
Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856