Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
11
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
12
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
13
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
14
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
15
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
16
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
18
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
19
William Blake, 1757–1827
Visions, Frontispiece (Plate 1)
1793
20
William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
21
William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
22
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
23
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
24
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
25
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
26
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
27
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
28
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
29
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
30
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
31
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
32
Print made by William Blake, 1757–1827
Air; Plate 6
1793
33
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
34
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
35
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
36
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
37
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
38
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
39
William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
40
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
41
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
42
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
43
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
44
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
45
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
46
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
47
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
48
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
49
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
50
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
51
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
52
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
53
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
54
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
55
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
56
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
57
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
58
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
59
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
60
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
61
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
62
George Romney, 1734–1802
Aerial Group: The Tempest
undated
63
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
64
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
65
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
66
Jacob More, 1740–1793
A View at Terracina
1778
67
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
68
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
69
Print made by John Raphael Smith, 1752–1812
The Infant Jupiter
1775
70
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
71
Thomas Bowles III, ca. 1712–1767
A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam
undated
72
Pierre Charles Canot, ca. 1710–1777
A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
73
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
74
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
75
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
76
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
77
Print made by John Harris, active 1686–1740
The Barfleur a Second Rate, carrying 90 Guns, and 680 Men, with a View of the Squadron Commanded by Lord Torrington in the Mediterranean
78
Print made by John Robert Cozens, 1752–1797
Oak
1789
79
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
80
John Robert Cozens, 1752–1797
Entrance Into the Tirol, June 4
undated
81
John Robert Cozens, 1752–1797
Chiavari
undated
82
Print made by John Smith, the mezzotinter, 1652–1743
The Triumph of Galatea
1701
83
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
84
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
85
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
86
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
87
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
88
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
89
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
90
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
91
John Robert Cozens, 1752–1797
Part of Terracina, July 5
undated
92
John Robert Cozens, 1752–1797
La Gabella del Pesce dall Granabello Preso Portici, August 20