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William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

between 1797 and 1798

William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 2, Title Page (Bentley 3)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

James Northcote Study for Burying the Royal Children

James Northcote, 1746–1831

Study for Burying the Royal Children

ca. 1790

unknown artist Alcibiades and Timon

unknown artist

Alcibiades and Timon

undated

Theodor von Holst Sheet of Sketches

Theodor von Holst, 1810–1844

Sheet of Sketches

undated

Theodor von Holst Ferdinand Riding the Waves

Theodor von Holst, 1810–1844

Ferdinand Riding the Waves

ca. 1830

Theodor von Holst Prospero Watching Ferdinand and Miranda

Theodor von Holst, 1810–1844

Prospero Watching Ferdinand and Miranda

ca. 1840

George Henry Harlow Hecate

George Henry Harlow, 1787–1819

Hecate

1815

George Henry Harlow Queen Katherine's Dream

George Henry Harlow, 1787–1819

Queen Katherine's Dream

1807

Francis Hayman Falstaff Inspecting the Recruits

Francis Hayman, 1707/8–1776

Falstaff Inspecting the Recruits

between 1761 and 1765

Thomas Grieve Design for Midsummer Night's Dream

Thomas Grieve, 1799–1882

Design for Midsummer Night's Dream

undated

Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5

Thomas Carwitham, active 1723

Ceres and Abas: Ovid, Metamorphoses, Book 5

ca. 1723

Julius Caesar Ibbetson Title page for "The Guardian"

Julius Caesar Ibbetson, 1759–1817

Title page for "The Guardian"

undated

Thomas Carwitham Illustration to Homer's Iliad

Thomas Carwitham, active 1723

Illustration to Homer's Iliad

1723

Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind

Samuel De Wilde, 1748–1832

Head of a Man with a Beard and Long Hair in the Wind

1786

Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

1723

Robert Smirke Falstaff at Herne's Oak

Robert Smirke, 1752–1845

Falstaff at Herne's Oak

1807

Robert Smirke Prospero and Ariel

Robert Smirke, 1752–1845

Prospero and Ariel

1821

Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Robert Smirke, 1752–1845

Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

1821

Robert Smirke Falstaff Instructing Bardolph

Robert Smirke, 1752–1845

Falstaff Instructing Bardolph

1825

Robert Smirke Anne Page and Slender

Robert Smirke, 1752–1845

Anne Page and Slender

1821

Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Edward Goodall The Nile

Print made by Edward Goodall, 1795–1870

The Nile

1839

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Abbotsford, Large Vignette

Print made by William Miller, 1796–1882

Abbotsford, Large Vignette

1841

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Edward Fisher Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

Print made by Edward Fisher, 1722–1785

Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

between 1752 and 1763

John Finlayson David Garrick in the Character of 'Kitely'

Print made by John Finlayson, 1730–1776

David Garrick in the Character of 'Kitely'

1769

William Dickinson Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

Print made by William Dickinson, 1746–1823

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

1780

John Dean Phoebe Hoppner as Caroline de Lichtfield

Print made by John Dean, 1754–1798

Phoebe Hoppner as Caroline de Lichtfield

1786

John Dixon David Garrick as Richard III

Print made by John Dixon, ca. 1740–1811

David Garrick as Richard III

1772

John Dean Miss Crockatt as Julia de Roubigné

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

James Ward Mrs. Michael Angelo Taylor as 'Miranda'

Print made by James Ward, 1769–1859

Mrs. Michael Angelo Taylor as 'Miranda'

ca. 1798

Robert Smirke Illustration for Don Quixote, Two Figures at a Table

Robert Smirke, 1752–1845

Illustration for Don Quixote, Two Figures at a Table

undated

Robert Smirke Malvolio Dancing

Robert Smirke, 1752–1845

Malvolio Dancing

1827

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

undated