Materials & Techniques: line engraving / Period: 19th century / Image Available: Available

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

Print made by Edward Francis Finden, 1791–1857

St. Sophia, Constantinople

1833

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by Robert Cooper, ca. 1800–1836

Daniel O'Connell, Esqr

1825

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Print made by Edward Francis Finden, 1791–1857

The Castellated Rhine

1833

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by Robert Brandard, 1805–1862

Château de Tancarville with Town of Quilleboeuf

1834

Print made by William Miller, 1796–1882

Windsor Castle

1831

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1832-1834

Print made by William Miller, 1796–1882

Nantes

1833

Print made by Thomas Higham, 1796–1844

Orleans

1833

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by John Cousen, 1804–1880

Light Towers of the Heve, vignette for title page

1834

Print made by Robert Wallis, 1794–1878

Palais at Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by James Baylis Allen, 1803–1876

Havre

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

James T. Willmore, 1800–1863

Byron's Dream

1833

Print made by James Sharples, 1825–1892

The Forge

1859

Print made by F. F. Walker, active 1805–1836

Plate 12, The Industrious 'Prentice Lord-Mayor of London

1833

Print made by George Dawe, 1781–1829

Miss Mary Anne Kirkley

1801

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Print made by unknown artist

Apollo and Daphne in the Vale of Tempe

1879

Print made by unknown artist

Crossing the Brook

undated

Print made by unknown artist

The Pilgrimage of Childe Harold

undated

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Robert Wallis, 1794–1878

Nemi

1840

Print made by William Miller, 1796–1882

Venice - the Piazzetta

1853-1874

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Period 19th century

Image Available Available

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Period 19th century

Image Available Available

Search Results