Attributed to Gangaram Chintaman Tambat, active 1790s
Vishnu Riding a Horse Composed of Women
undated
21
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
22
Print made by Thomas Burford, ca. 1710–after 1774
The Death of the Fox
1794
23
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
24
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
25
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
26
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
27
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
28
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
29
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
30
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
31
James Gwin, 1700–1769
Seconde Position du Salut
1763
32
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
33
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
34
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
35
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
36
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
37
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
38
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
39
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
40
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
41
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
42
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
43
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
44
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
45
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
46
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
47
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
48
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
49
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
50
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
51
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
52
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
53
unknown artist
Mid-Day
1799
54
unknown artist
Morning
1799
55
unknown artist
Evening
1799
56
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
57
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
58
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
59
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
60
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
61
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
62
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
63
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
64
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
65
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
66
Samuel Howitt, 1756–1822
Racing Scene
1792
67
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
68
Peter Tillemans, 1684–1734
Stag Hunting: Rider With Hounds About to Bring the Stag Down
undated
69
Michael "Angelo" Rooker, 1746–1801
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
undated
70
John Wootton, 1682–1764
A Stag Hunt
undated
71
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
72
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
73
John Vanderbank, 1694–1739
The Scholar Placed in His Seat Without Styrrops
1729
74
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
75
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
76
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
77
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
78
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
79
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
80
Francesco Bartolozzi, 1728–1815
Regatta Ball at Ranelagh
1775
81
Victor Marie Picot, 1744–1805
Winter
1794
82
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
83
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
84
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
85
Print made by George Bickham the Elder, 1683/4–1758
Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
86
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
87
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
88
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
89
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
90
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
91
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
92
unknown artist
Tattersall's Training School
1771
93
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
94
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
95
James Seymour, 1702–1752
A Boar Hunt
undated
96
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
97
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
98
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
99
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
100
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On