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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802
Two Sketches of a Nude Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
undated
William Marlow A Street in Florence with the Duomo and Campanile in the Background
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
George John Pinwell Study for "The Goose", 1867: Interior of a Barn
George John Pinwell, 1842–1875
Study for "The Goose", 1867: Interior of a Barn
1866
William Henry Pyne Poulterer's Shop
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
William Henry Pyne Cottage and Foot Bridge
William Henry Pyne, 1769–1843
Cottage and Foot Bridge
1794
unknown artist Man on Horse, with Pigs
unknown artist
Man on Horse, with Pigs
undated
unknown artist Angel
unknown artist
Angel
undated
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
Isaac Oliver Woman's Head Inclined to the Right
Isaac Oliver, ca. 1565–1617
Woman's Head Inclined to the Right
undated
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
Ambrose Poynter Sketches from Life in Paris: Woman and Man Carrying Buckets
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Woman and Man Carrying Buckets
ca. 1835
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
Sir John Everett Millais A Woman Bowed in Grief
Sir John Everett Millais, 1829–1896
A Woman Bowed in Grief
ca. 1857
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
Richard Parkes Bonington Study of a Seated Woman
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Sir Francis Grant A Lady Painting
Sir Francis Grant, 1803–1878
A Lady Painting
1837
Samuel Howitt A Goose and a Baboon
Samuel Howitt, 1756–1822
A Goose and a Baboon
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
Ozias Humphry Mrs. James Paine, Newman Street
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
William Henry Hunt A Lady Reading
William Henry Hunt, 1790–1864
A Lady Reading
ca. 1835
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
Henry Towneley Green Beside the Lily-Pond
Henry Towneley Green, 1836–1899
Beside the Lily-Pond
1869
Sir George Hayter Portrait Study of Martha, Lady Hayter
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
Julius Caesar Ibbetson Study of a Woman Seated on a Horse
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
Samuel Jackson Romantic Landscape
Samuel Jackson, 1794–1869
Romantic Landscape
ca. 1830
John Frederick Lewis A Greek Girl Standing on a Balcony
John Frederick Lewis, 1804–1876
A Greek Girl Standing on a Balcony
1840
William Henry Hunt Portrait Study of a Girl
William Henry Hunt, 1790–1864
Portrait Study of a Girl
ca. 1823
John Martin Landscape with Courting Couple
John Martin, 1789–1854
Landscape with Courting Couple
1839
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
James Gillray A London Street Crier
James Gillray, 1756–1815
A London Street Crier
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
Julius Caesar Ibbetson Woodcutter and His Family
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
Ozias Humphry Countess Poulett
Ozias Humphry, 1742–1810
Countess Poulett
undated
Sir John Everett Millais Accepted
Sir John Everett Millais, 1829–1896
Accepted
1853
Richard Westall A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
William Mulready Denial and Disappointment
William Mulready, 1786–1863
Denial and Disappointment
undated
Cornelius Varley Evening
Cornelius Varley, 1781–1873
Evening
1828
Samuel Prout Church and Cottages
Samuel Prout, 1783–1852
Church and Cottages
undated
Sir David Wilkie Child's Broken Cart and Fiddler's Wife's Arm
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
Benjamin West Mother and Child with Young Boy Leaning on Window Sill
Benjamin West, 1738–1820
Mother and Child with Young Boy Leaning on Window Sill
undated
Benjamin West Sketch for a Family Group
Benjamin West, 1738–1820
Sketch for a Family Group
undated
Benjamin West Woman and Child
Benjamin West, 1738–1820
Woman and Child
undated
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
Cornelius Varley Studies of Boats, Figures, Carts, and Buildings
Cornelius Varley, 1781–1873
Studies of Boats, Figures, Carts, and Buildings
undated
Queen Victoria Queen Anne
Attributed to Queen Victoria, 1819–1901
Queen Anne
1857
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated