Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
3
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
4
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
5
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
14
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
46
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
47
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
48
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
49
George Romney, 1734–1802
John Henderson as Falstaff
1780
50
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
51
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
52
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
53
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
54
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
55
Robert Smirke, 1752–1845
Prospero and Ariel
1821
56
Robert Smirke, 1752–1845
Anne Page and Slender
1821
57
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
58
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
59
unknown artist
The Death of Cordelia
undated
60
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
61
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
62
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
63
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
64
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
65
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
66
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
67
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
68
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
69
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
70
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
71
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
72
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
73
Theodor von Holst, 1810–1844
Faust and Margaret
undated
74
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
75
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
76
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
77
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
78
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
79
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
80
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
81
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
82
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
83
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
84
Valentine Green, 1739–1813
Rinaldo and Armida
1775
85
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
86
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
87
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
88
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
89
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
91
Print made by Robert Blyth, 1750–1784
The Captive
1781
92
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
93
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
94
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
95
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
96
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
97
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
98
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
99
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
100
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III