Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
8
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
9
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
10
unknown artist
View of Bedgebury Park - Entrance Front
undated
11
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
12
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
13
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
14
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
15
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
16
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
17
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
18
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
19
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
20
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
21
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
22
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
23
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
24
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
25
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
26
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
27
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
28
unknown artist
Gateway at the Deepdene - East Side
undated
29
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
30
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
31
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
32
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
33
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
34
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
35
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
36
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
37
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
38
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
39
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
40
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
41
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
42
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
43
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
44
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
45
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
48
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
49
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
50
John Yenn, 1750–1821
Design for a Doorway
1781
51
Isaac Johnson, 1754–1835
Survey of Beauthorp-Hall Estates
1753
52
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
53
unknown artist
Design for a Classical House
undated
54
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
55
unknown artist
Design for a Wine Cooler
undated
56
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
57
Thomas Malton, 1726–1801
North Front of the Chapel and Hall of Greenwich Hospital
ca. 1790
58
unknown artist
Rushton Hall, Northamptonshire
ca. 1840
59
unknown artist
Alms-Houses at Greenhithe, Kent
1774
60
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
61
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
62
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
63
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
64
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
65
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
66
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
67
Richard Banks Harraden, 1778–1862
Downing College, Cambridge
1830
68
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
69
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
70
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
71
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
72
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
73
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
74
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
75
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
76
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
77
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
78
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
79
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
80
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
81
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
83
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
85
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations