Materials & Techniques: hand coloring and line engraving / Collection: Prints and Drawings

1. The Complaint and The Consolation: or Night Thoughts

Creator:: William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Hand-colored line engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Small Breeze

Creator:: Print made by Thomas Boydell, active 1750–1751
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Noon

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The South Entrance of Duke's Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Messrs. Morgan & Sanders, Catherine St. Strand

Creator:: unknown artist
Date:: 1809
Materials & Techniques:: Hand colored engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Cowdray Court from the Lodging House

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 14 5/16 inches (25.2 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Moat Island

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The View from One Tree Hill in Greenwich Park

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

14. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

Creator:: Print made by unknown artist
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. William Dodd, L. L. D.

Creator:: John Goldar, 1729–1795
Date:: between 1775 and 1795
Materials & Techniques:: Line engraving with hand coloring on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 6 3/4 × 3 15/16 inches (17.1 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

16. The Departure (Second Class)

Creator:: Print made by William Henry Simmons, 1811–1882
Date:: 1857
Materials & Techniques:: Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 29 1/2 inches (54.6 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Principal Front of the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Bank of England in ye Poultry

Creator:: unknown artist
Date:: 1724
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Bank of England and Royal Exchange, Cornhill

Creator:: Print made by Henry Wallis, 1805–1890
Date:: 1840
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 7 5/8 × 15 1/8 inches (19.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bank of England Royal Exchange

Creator:: James H. Kernot, active early 19th century
Date:: 1800
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/16 inches (24.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Accurate Perspective View of the Outside of the Royal Exchange in London

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the Bank of England

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Hand colored engraving on slightly textured, medium, grey wove paper
Dimensions:: Sheet: 11 7/8 × 15 5/8 inches (30.2 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The North View of Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Calm

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Morning

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. White Hart, Bishopsgate Street

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

Creator:: J. Miller, active 1769–1825
Date:: 1762
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Ships in Distress

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1796
Materials & Techniques:: Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Reapers

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Line engraving and stipple engraving with hand coloring
Dimensions:: Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Tellicherry

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Kew: The White House, Orangery, and Temple of Arethusa

Creator:: Print made by William Elliot, active 1774, died 1792
Date:: ca. 1760
Materials & Techniques:: Engraving hand colored in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 14 1/2 x 21in. (36.8 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Messrs. Morgan & Sanders, Catherine St., Strand

Creator:: Print made by unknown artist
Date:: 1809
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Lodge and Garden from the Great Lake

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: 1778
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Return (First Class)

Creator:: Print made by William Henry Simmons, 1811–1882
Date:: 1857
Materials & Techniques:: Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 29 3/8 inches (54.3 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Chillington Oxen

Creator:: Print made by John Porter, active 1838
Date:: 1838
Materials & Techniques:: Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Creator:: Print made by Remi Parr, active 1723–1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Sweet William's Farewell to Black Eyed Susan

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Creator:: Print made by Remi Parr, active 1723–1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Creator:: Print made by Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

53. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

54. Winding Silk

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

55. Hurdwar, A Place of Hindoo Pilgrimage

Creator:: Print made by W. J. Cook, active 1830s–1840s
Date:: 1831
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

56. View of Calcutta from the Esplanade, No. 2

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 5/8 inches (18.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

57. View of Calcutta from the Esplanade, No. 1

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 5/8 inches (18.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

58. View of Lucknow

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 5/8 inches (18.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

59. Scene in the East Indies

Creator:: Print made by William Walker, 1729–1793
Date:: 1782
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

60. Fort George, Madras

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

61. Mr. Brooke's Bungalow at Sarawak

Creator:: Print made by W. J. Cook, active 1830s–1840s
Date:: 1848
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 1/4 inches (14.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

62. Le Banyan, Rives du Gange; Pondichéry

Creator:: Print made by François-Louis Couché, 1782–1849
Date:: 1835
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

63. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

69. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

70. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

71. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Creator:: Print made by Adam Ludwig Wirsing, 1733–1797
Date:: 1768
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

76. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1800
Materials & Techniques:: Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

77. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

78. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

79. The Banana Tree, Plate 16

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 8 5/8 inches (32.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

80. Scene at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

81. A Tiger Seizing a Bullock in a Pass

Creator:: Print made by unknown artist
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

82. Inde Francaise, Costumes, Elephant Caparaconne

Creator:: Print made by unknown artist
Date:: 1835
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 3/4 inches (18.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

83. Rotherhithe Tunnel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 × 14 3/4 inches (7.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Mr. Ross's Room, Bishopsgate Street

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored aquatint on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 1/16 inches (14.4 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Death of Mark Antony

Creator:: Print made by Jean Marie Delatre, 1746–1840
Date:: 1805
Materials & Techniques:: Line engraving and stipple engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Lignum vitae, or Guaiacum, Plate 9

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

87. The Bay-Berry Tree, Myrtus arborea aromatica, Plate X

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 inches (33.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

88. The Male Popaw Tree, Papaya, Plate 14

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 inches (35.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

89. The Female Popaw Tree, Papaya, Plate 15

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 9 inches (35.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

90. The Pine Apple, Anana, Plate 21

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

91. The Sea-side Laurel, Plate 22

Creator:: Print made by J. Mynde, active 1740–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/8 inches (33 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

92. The Tree Jessamin, Plate 17

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

YCBA Collections Search

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Materials & Techniques hand coloring

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Collection Prints and Drawings

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1. The Complaint and The Consolation: or Night Thoughts

2. A Small Breeze

3. Noon

4. Evening

5. The South Entrance of Duke's Place

6. Messrs. Morgan & Sanders, Catherine St. Strand

7. New Weir on the Wye

8. The Revolt of the Fleet, 1642

9. Dover Castle

10. Cowdray Court from the Lodging House

11. The Moat Island

12. The View from One Tree Hill in Greenwich Park

13. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

14. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

15. William Dodd, L. L. D.

16. The Departure (Second Class)

17. Principal Front of the Bank of England

18. The Bank of England in ye Poultry

19. The Bank of England and Royal Exchange, Cornhill

20. The Bank

21. Bank of England Royal Exchange

22. The South View of Barnes

23. Accurate Perspective View of the Outside of the Royal Exchange in London

24. A View from Richmond Hill Up the River

25. A View of the Bridge at Walton-on-Thames in Surrey

26. View of the Bank of England

27. The North View of Battersea

28. Southampton or Bloomsbury Square

29. A Calm

30. Greenland Fishery

31. Morning

32. White Hart, Bishopsgate Street

33. Peterborough

34. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

35. Ships in Distress

36. A View of the New Bridge Over the Thames at Walton in Surrey

37. The Cape of Good Hope

38. Reapers

39. Tellicherry

40. Fort St. George

41. Kew: The White House, Orangery, and Temple of Arethusa

42. Messrs. Morgan & Sanders, Catherine St., Strand

43. The Lodge and Garden from the Great Lake

44. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

45. The Return (First Class)

46. The Chillington Oxen

47. A Sea Engagement between the English and Algerines

48. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

49. Sweet William's Farewell to Black Eyed Susan

50. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

51. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

52. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

53. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

54. Winding Silk

55. Hurdwar, A Place of Hindoo Pilgrimage

56. View of Calcutta from the Esplanade, No. 2

57. View of Calcutta from the Esplanade, No. 1

58. View of Lucknow

59. Scene in the East Indies

60. Fort George, Madras

61. Mr. Brooke's Bungalow at Sarawak

62. Le Banyan, Rives du Gange; Pondichéry

63. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

64. Vol. 6, Plate XXXII: The Story of Hezekiah.

65. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

66. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

67. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

68. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

69. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

70. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

71. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

72. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

73. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber