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1
- Rome from Monte Mario
- ca. 1818
2
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
3
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
4
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
5
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
6
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
7
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
8
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
12
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
13
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
14
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
15
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
16
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
17
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
19
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
20
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
21
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
22
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
23
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
26
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
27
- Spring, from Songs of Innocence
- ca. 1795
28
- Brick Bridge
- undated
29
- Haymaking
- undated
30
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
31
- Two Men Fighting Before a Woman
- 1771
32
- High Street at Bushey, Hertfordshire
- 1812
33
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
34
- Design for a Greenhouse at Kew Gardens
- undated
35
- Lismore Castle, Ireland
- 1783
36
- A Prospect of Vapourland
- 1759
37
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
38
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
39
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
40
- View of Lucan House
- 1782
41
- The Horse Guard's Parade, Whitehall
- undated
42
- The Bishop's Palace, Bromley (A Country House)
- undated
43
- Harvesters Resting in a Corn Field
- between 1805 and 1810
44
- Reclining Female Figure in an Italian Landscape
- undated
45
- Classical Composition
- undated
46
- Woman on a Horse with Two Standing Women Overlooking a Landscape
- undated
47
- The Fortune Teller
- 1827
48
- Soldiers and Country Women
- undated
49
- The Land of Beulah
- 1881
50
- Woolwich Warren
- undated
51
- Vive la Politesse! Ladies First!
- undated
52
- Two Heads in a Roundel
- undated
53
- Country Scene: Cottage and Figures on a Winding Road
- undated
54
- The Village of Aldbury, Hertfordshire
- 1816
55
- The Ruins of Leiston Abbey
- 1781
56
- A Rustic Scene
- undated
57
- The Village of Kirkstall, Yorkshire
- 1801
58
- Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
- undated
59
- Haymaking
- undated
![Mrs. P. D. H. Page Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]](https://media.collections.yale.edu/thumbnail/ycba/a17c6e1c-4c46-4900-9257-0302c1ceda29)
60
- Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
- undated
61
- Going Home
- undated
62
- Skating in Hyde Park
- ca. 1785
63
- View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
- undated
64
- Travelling in France
- between 1785 and 1789
65
- Return From the Chase, After a Fall
- undated
66
- An Elopement by Moonlight
- 1834
67
- Glasgow Cathedral
- between 1794 and 1795
68
- Bradwell Lodge, Bradwell Quay, Essex
- undated
69
- Vauxhall Gardens
- ca. 1784
70
- The Return from the Hunt
- 1787
71
- A Park Scene
- undated
72
- Hyde Park Corner
- undated
73
- Langworth
- 1785
74
- The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
- 1847
75
- Unidentified Periodical / Play Illustration
- undated
76
- The Prize Fight
- 1787
77
- Stag at Bay - Scene near Taplow, Berks
- between 1795 and 1801
78
- Thames Side Buildings
- undated
79
- A View of Edinburgh from the South Looking towards Dalkeith
- undated
80
- Figure Study
- undated
81
- Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead
- ca. 1909
82
- View of Wingerworth Hall, Derbyshire
- 1783
83
- Egyptian River View with Water Woman
- undated
84
- The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
- between 1765 and 1766
85
- Vanbrugh Castle, Greenwich
- undated
86
- Rocky Landscape with Peasants and Cattle
- 1773