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Genre religious and mythological subject

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Creator Blake, William, 1757–1827

Remove constraint Creator: Blake, William, 1757–1827

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201. America. A Prophecy, Plate 6, "Appear to the Americans...."

America. A Prophecy, Plate 6, "Appear to the Americans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. America. A Prophecy, Plate 7, "Albions Angel stood...."

America. A Prophecy, Plate 7, "Albions Angel stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. The Book of Thel, Plate 1, "Thel's Motto . . . ."

The Book of Thel, Plate 1, "Thel's Motto . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Europe. A Prophecy, Plate 3, "Preludium"

Europe. A Prophecy, Plate 3, "Preludium"
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. The First Book of Urizen, Plate 28 (Bentley 27)

The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. For the Sexes: The Gates of Paradise, Plate 1, Title Page

For the Sexes: The Gates of Paradise, Plate 1, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Europe. A Prophecy, Plate 13 (Bentley 10)

Europe. A Prophecy, Plate 13 (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. The First Book of Urizen, Plate 11 (Bentley 17)

The First Book of Urizen, Plate 11 (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. The First Book of Urizen, Plate 15 (Bentley 14)

The First Book of Urizen, Plate 15 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. The First Book of Urizen, Plate 18 (Bentley 21)

The First Book of Urizen, Plate 18 (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. The First Book of Urizen, Plate 21 (Bentley 16)

The First Book of Urizen, Plate 21 (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. The First Book of Urizen, Plate 4 (Bentley 24)

The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Jerusalem, Plate 93, "Enitharmon heard...."

Jerusalem, Plate 93, "Enitharmon heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. America. A Prophecy, Plate 10, "The Terror Answered...."

America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. America. A Prophecy, Plate 14, "So Cried He...."

America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. America. A Prophecy, Plate 17, "On Albions Angels...."

America. A Prophecy, Plate 17, "On Albions Angels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. America. A Prophecy, Plate 2, Title Page

America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. America. A Prophecy, Plate 8, "The Morning Comes...."

America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Europe. A Prophecy, Plate 2, Title Page

Europe. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Europe. A Prophecy, Plate 8 (Bentley 9)

Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. The First Book of Urizen, Plate 7 (Bentley 12)

The First Book of Urizen, Plate 7 (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. For the Sexes: The Gates of Paradise, Plate 4, "Water"

For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. For the Sexes: The Gates of Paradise, Plate 6, "Air"

For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. An Angel with a Trumpet

An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Copy of the Laocoön, for Rees's Cyclopædia

Copy of the Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

284. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

289. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

295. Death of the Strong Wicked Man

Death of the Strong Wicked Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Robert Blair, The Grave, Title Page

Robert Blair, The Grave, Title Page
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. The Descent of Man into the Vale of Death

The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection