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William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
George Stubbs Horses Fighting
after George Stubbs, 1724–1806
Horses Fighting
undated
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Edward Lear Catania
Edward Lear, 1812–1888
Catania
1847
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
James Miller View of Isleworth Church
James Miller, active 1773–1814
View of Isleworth Church
undated
James Miller View of a House
James Miller, active 1773–1814
View of a House
undated
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
Jean B. C. Chatelain Landscape Composition
Jean B. C. Chatelain, 1710–1771
Landscape Composition
undated
Spencer Frederick Gore Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Deer Hunting Mural
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
Cecil Charles Windsor Aldin `Ar Never Gets Off' - Hunting Scene
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
Cecil Charles Windsor Aldin `Hold Back, Sir!'
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
Julius Caesar Ibbetson Supported by a Bramble
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
Julius Caesar Ibbetson Split with Wedge and Beetel
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
undated
Julius Caesar Ibbetson Squared
Julius Caesar Ibbetson, 1759–1817
Squared
undated
Julius Caesar Ibbetson Shelter for Cattle
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
undated
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
Henry Thomas Alken The Leicestershire Hunt - A Struggle for the Start
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
Alexander Cozens Roman Sketchbook
Alexander Cozens, 1717–1786
Roman Sketchbook
1746
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Alexander Runciman A Temple Perched on a Rocky Outcrop Seen Across a Lake
Alexander Runciman, 1736–1785
A Temple Perched on a Rocky Outcrop Seen Across a Lake
ca. 1767
Thomas Crofton Croker Houses at Kilmallock
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
Thomas Girtin Chalfont Lodge, Buckinghamshire
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
Rev. William Gilpin Landscape with Church in Background
Rev. William Gilpin, 1724–1804
Landscape with Church in Background
undated
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Landscape with House at the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
Rev. William Gilpin Two Men Looking Into Landscape with Castle, River and Mountain Scene
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
Rev. William Gilpin Landscape with Two Trees and Cliff
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Cliff
1769
Rev. William Gilpin Two Men in a Landscape and a Castle on a Hill
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
Rev. William Gilpin Landscape (unfinished)
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
unknown artist The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
William Augustus Barron Broom House, Fulham, London
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
Michel Jean Cazabon On the Cimaronero River
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857