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Materials & Techniques aquatint

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1. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of the Pont St. Michael, taken from the Pont Neuf

View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. View of the City with the Louvre & Taken from Pont Marie

View of the City with the Louvre & Taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

7. Saint Stephen's, Walbrook

Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. A General View of Paris, taken from Chaillot 1803.

A General View of Paris, taken from Chaillot 1803.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Views of the Pantheon, taken from the Arsenal

Views of the Pantheon, taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of the Gate of St. Denis Taken from the Suburbs.

View of the Gate of St. Denis Taken from the Suburbs.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of the Village of Chaillot & C. taken from Pont de la Concorde

View of the Village of Chaillot & C. taken from Pont de la Concorde
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
Creator:
unknown artist
Date:
1825
Materials & Techniques:
Aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Hampton Court

Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Lleweney Bleach Works

Lleweney Bleach Works
Creator:
Thomas Malton, 1726–1801
Date:
1798
Materials & Techniques:
Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:
Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Cathedrals in England

Cathedrals in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tintern Abbey

Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Malton, 1726–1801
Date:
1800
Materials & Techniques:
Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Promenade on the Ramparts of Nantes

Promenade on the Ramparts of Nantes
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Tours, looking backwards

Tours, looking backwards
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Clare Hall, Cambridge

Clare Hall, Cambridge
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Hand colored, aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Peterborough Cathedral

Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Malmsbury Abbey

Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, 1st published state, printed in color, finished by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Great Cloister, Cassiobury

The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, later state, 1837 edition plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Great Court and Chapel of Trinity College in the University of Cambridge

The Great Court and Chapel of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Cambridge University: Emmanuel College

Cambridge University: Emmanuel College
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 26 5/16 inches (49.5 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Kings College, the Chapel and Clare Hall in the University of Cambridge

Kings College, the Chapel and Clare Hall in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 inches (54 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jesus College in the University of Cambridge

Jesus College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 27 3/16 inches (53.3 × 69.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Cambridge University: Queens College

Cambridge University: Queens College
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The East Front of the Library of Trinity College in the University of Cambridge

The East Front of the Library of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.
Creator:
Archibald Robertson, 1748–1788
Date:
1782
Materials & Techniques:
Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Waterworks at Marli; and St. German en Laye seen in the distance

The Waterworks at Marli; and St. German en Laye seen in the distance
Creator:
Richard Banks Harraden, 1778–1862
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. A Kashmir Bridge

A Kashmir Bridge
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1924
Materials & Techniques:
Aquatint; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Stone Buildings, Lincoln's Inn

Stone Buildings, Lincoln's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Gray's Inn

Gray's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Temple Church

Temple Church
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Staple Inn

Staple Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. North Front of Temple Hall

North Front of Temple Hall
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Leather Fullers Hall

Leather Fullers Hall
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Rolls Chapel

Rolls Chapel
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 1/4 inches (12.7 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Clement's Inn

Clement's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Westminster Hall

Westminster Hall
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. New Inn

New Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Clifford's Inn

Clifford's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Furnival's Inn

Furnival's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Garden Front of Furnival's Inn

Garden Front of Furnival's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Inner Temple

Inner Temple
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Lion's Inn

Lion's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Middle Temple Gate

Middle Temple Gate
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Southwest View of Middle Temple

Southwest View of Middle Temple
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Barnard's Inn

Barnard's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Cowdray Ruins

Cowdray Ruins
Creator:
Print made by James Clark, 19th century
Date:
1824
Materials & Techniques:
Colored aquatint on thick, textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Malmsbury Abbey

Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Interior of St. Peter's, Rome

Interior of St. Peter's, Rome
Creator:
Print made by William Walcot, 1874–1943
Date:
1919
Materials & Techniques:
Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 12 7/8 inches (30.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Guildhall

Guildhall
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Sergeant's Inn

Sergeant's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

78. View of the Front of the New Public Buildings, Guildford

View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. View of Old Aberdeen, Including King's College and the Cathedral

View of Old Aberdeen, Including King's College and the Cathedral
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Caesar in Egypt

Caesar in Egypt
Creator:
Print made by William Walcot, 1874–1943
Date:
1926
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/8 inches (27.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

83. Villa Quintilii

Villa Quintilii
Creator:
Print made by William Walcot, 1874–1943
Date:
1921
Materials & Techniques:
Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. View of the New Country Prison at Abingdon, Berkshire

View of the New Country Prison at Abingdon, Berkshire
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
undated
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Ludgate Hill

Ludgate Hill
Creator:
Print made by William Walcot, 1874–1943
Date:
1921
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

86. Park Avenue, New York

Park Avenue, New York
Creator:
Print made by William Walcot, 1874–1943
Date:
1923
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 12 5/8 inches (25.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Ingraham, Yale BA 1910, in memory of Carl A. Lohmann, Yale BA 1910, transfer from the Yale University Art Gallery

87. The Library of San Marco, Venice

The Library of San Marco, Venice
Creator:
Print made by William Walcot, 1874–1943
Date:
1920
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. Arc de Triomphe, Paris

Arc de Triomphe, Paris
Creator:
Print made by William Walcot, 1874–1943
Date:
1918
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 25 1/4 inches (76.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. Clare Hall

Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 1/16 inches (26.8 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. View of Pont St. Michel, taken from Pont Neuf

View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. View of the City with the Louvre &c. taken from Pont Marie

View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View of Hanover Square

View of Hanover Square
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection