plate etched between ca. 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
10
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
12
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
14
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
15
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
16
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
17
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
18
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
19
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
20
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
21
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
22
after Joseph Mallord William Turner, 1775–1851
Aeneas Relating His Adventures to Dido
23
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
24
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
25
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
26
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
27
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
28
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
29
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
30
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
31
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
39
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
42
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
43
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
44
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
45
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
46
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
47
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
50
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
52
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
57
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
58
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
59
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
60
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
61
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
62
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
63
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
64
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
65
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
66
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
67
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
68
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
69
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
70
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
71
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
72
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
73
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
74
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
75
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
1794
76
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
77
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
78
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
79
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
80
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
81
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
82
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
83
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
84
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
85
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7 (Bentley 12)
1794
86
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
87
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
88
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
89
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
90
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
91
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
92
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
93
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
94
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
95
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
96
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
97
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
98
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
99
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
100
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)