Materials & Techniques: line engraving / Period: 19th century - YCBA Collections Search Search Results

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by Joseph Skelton, active 1820–1850

View of the Chapel and Hall of Oriel College

1801

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Print made by William Byrne, 1743–1805

Abingdon from the Thames Navigation

1805

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by James Heath, 1757–1834

Inverary

1805

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo

1830

Print made by John Pye, 1782–1874

Paestum (Vignette)

1830

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by William Finden, 1787–1852

Jorasse

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Print made by Daniel Allen, active 1830s

Travelling Monks

1830

Print made by William Finden, 1787–1852

An Arrival

1830

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Print made by Edward Alfred Goodall, 1819–1908

Court of the Palazzo Vecchio, Florence

1830

Print made by Daniel Allen, active 1830s

The Medici Vase

1830

Print made by Daniel Allen, active 1830s

A Scaramouch

Print made by Frederick Christian Lewis the Elder, 1779–1856

A Young Roman Mother Admiring her Infant

1830

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1821

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

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Materials & Techniques line engraving

Period 19th century

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Materials & Techniques line engraving

Period 19th century

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