Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
205
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
206
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
207
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
208
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
209
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
210
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
211
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
212
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
213
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
214
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
215
Print made by William Blake, 1757–1827
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
216
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
217
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
218
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
219
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
220
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
221
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
222
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
223
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
224
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
225
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
226
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
227
Print made by William Blake, 1757–1827
Pity
ca. 1795
228
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
229
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
230
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
231
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
232
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
233
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
234
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
235
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
236
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
237
George Romney, 1734–1802
Study of Three Women
undated
238
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
239
George Romney, 1734–1802
Three Lamenting Women
undated
240
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
241
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
242
George Romney, 1734–1802
Mythological Group of Women and Children
undated
243
George Romney, 1734–1802
David Playing the Harp
undated
244
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
245
George Romney, 1734–1802
Three Young Witches
undated
246
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
247
George Romney, 1734–1802
The Banquet Scene
ca. 1792
248
George Romney, 1734–1802
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
249
George Romney, 1734–1802
Prison Scene
undated
250
George Romney, 1734–1802
Women and Children
undated
251
George Romney, 1734–1802
Two Sisters
undated
252
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
253
George Romney, 1734–1802
Howard Visiting a Prison
undated
254
George Romney, 1734–1802
Prison Scene
undated
255
George Romney, 1734–1802
Prison Scene
undated
256
George Romney, 1734–1802
Howard Visiting a Prison
undated
257
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
258
George Romney, 1734–1802
David before Saul
undated
259
George Romney, 1734–1802
Seated Woman: Three Studies
undated
260
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
261
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
262
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
263
George Romney, 1734–1802
Women Dancing
undated
264
George Romney, 1734–1802
Howard Visiting a Prison
undated
265
George Romney, 1734–1802
Prison Scene
undated
266
George Romney, 1734–1802
Howard Visiting a Prison
undated
267
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
268
George Romney, 1734–1802
Group of Figures, Possibly Women and Children Playing
undated
269
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
270
George Romney, 1734–1802
Ladies in Waiting
undated
271
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
272
attributed to Samuel Shelley, 1750–1808
Studies of Two Women
undated
273
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
274
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
275
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
276
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
277
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
278
Alfred Edward Chalon, 1780–1860
Study of a Lady Asleep in a Chair
undated
279
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
280
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
281
Sir James Thornhill, 1675–1734
Neptune
undated
282
Julia Swinburne, ca. 1795–1893
A Sandwich Islands Group
June 5, 1824
283
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
284
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
285
John Vanderbank, 1694–1739
Conversation Piece
undated
286
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
287
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
288
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
289
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
290
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
291
Paul Sandby, 1731–1809
A Good-bye
undated
292
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
293
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
294
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
295
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
296
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
297
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
298
Samuel Howitt, 1756–1822
Going Home
undated
299
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816