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Collection Prints and Drawings
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1
- Who-o-p!
- 1898-1899
2
- Labourers
- 1789
3
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
4
- The Deluge
- between 1813 and 1823
5
- Christ and the Woman of Samaria
- 1819
6
- Rome from Monte Mario
- ca. 1818
7
- Val di Roppa, Corfu, 22 May 1868
- 1868
8
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
9
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
10
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
11
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
12
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
13
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
14
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
15
- Jerusalem, Plate 76
- 1804 to 1820
16
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
17
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
18
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
22
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
23
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
24
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
25
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
26
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
27
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
28
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
30
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
31
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
35
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
36
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
37
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
38
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
39
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
40
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
41
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
42
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
43
- Water; Plate 4
- 1793
44
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
45
- Aged Ignorance; Plate 13
- 1793
46
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
47
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
48
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
49
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
50
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
51
- My Son! My Son!; Plate 10
- 1793
52
- Alas!; Plate 9
- 1793
53
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
54
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
55
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
56
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
57
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
58
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
60
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
61
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
62
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
63
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
64
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
65
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
66
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
67
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
68
- The Shepherd, from Songs of Innocence
- ca. 1795
69
- Songs of Innocence and of Experience
- 1789-1794
70
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
72
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
73
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
74
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
75
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
76
- Enter Malvolio, Crossgartered..
- 1863
77
- Alcibiades and Timon
- undated
78
- Hilly Landscape with River and Cattle
- ca. 1810
79
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
80
- Landscape with Hay Cart before a Cottage
- undated
81
- Design for a Greenhouse at Kew Gardens
- undated
82
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
83
- View of Lucan House
- 1782
84
- A View of Several Palaces at Naples at Sun Rise
- undated
85
- Greytown
- undated
86
- Landscape at Henstead
- undated
87
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
88
- Country Scene: Cottage and Figures on a Winding Road
- undated
89
- Kensington Gardens
- undated
90
- View on Exmoor
- undated
91
- Lot and His Family
- ca. 1718
92
- Bayswater - London
- undated
93
- Ruins at Sabachtsche
- undated
94
- Bathampton Mill
- undated
95
- Farmers Harvesting
- undated
96
- Bodiam Castle
- undated
97
- Scene near Shipton on Cherwell, Oxfordshire
- 1835
98
- Harvesting - The Noontide Rest
- 1811
99
- Vive la Politesse! Ladies First!
- undated
100
- Landscape with Cottage and Figures on Horseback
- 1793