Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
2
George Stubbs, 1724–1806
Human Skeleton, Anterior View (Final study)
1795 to 1806
3
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
4
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
9
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Study for the key figure to Table V)
1795 to 1806
10
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
11
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
12
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
13
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
14
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
15
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
16
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
18
after George Stubbs, 1724–1806
Horses Fighting
undated
19
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
20
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
21
George Stubbs, 1724–1806
Monkey Standing, Anterior View
1795 to 1806
22
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
1795 to 1806
23
George Stubbs, 1724–1806
Fowl Head and Neck, Lateral View
1795 to 1806
24
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
25
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
26
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
27
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
28
Benjamin West, 1738–1820
Windsor Great Park from the Castle Terrace
undated
29
Thomas Sunderland, 1744–1828
Inside View of Tintern Abbey looking from the Nave to the East Window
undated
30
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
31
John Burnet, 1784–1868
Cottage Interior
undated
32
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
33
unknown artist
Shepherd and Dog Driving Sheep up a Wooded Slope, Two Cows Looking On
undated
34
John Thomas Serres, 1759–1825
Neapolitan Fishermen
1791
35
John Thomas Smith, 1766–1833
A Family Cooking Under A Tree
undated
36
Sir Augustus Wall Callcott, 1779–1844
Dead Calm: Boats off Cowes Castle
undated
37
Benjamin West, 1738–1820
Man and Woman Holding Baby, Seated on Bank
undated
38
James Barry, 1741–1806
Rome, A View of the Arch of Constantine with Other Ruins
undated
39
Biagio Rebecca, Italian, 1735–1808
Group of Three Young Women
undated
40
James Barry, 1741–1806
Male with Arms Spread Wide Seen from Behind
undated
41
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
42
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
43
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
44
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
45
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
48
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
49
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
50
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
51
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
52
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
53
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
54
Benjamin West, 1738–1820
Two Kneeling Figures
undated
55
Benjamin West, 1738–1820
St. Michael and Lucifer
undated
56
Paul Sandby, 1731–1809
Woolwich Warren
undated
57
Attributed to William Marlow, 1740–1813
Civita Castellana
undated
58
Studio of Sir Jeffry Wyatville, 1766–1840
Design for Lypiatt Park
undated
59
John Thomas Serres, 1759–1825
Southampton Water
undated
60
George Shepheard, ca. 1770–1842
Shadwell by the Ship Inn
undated
61
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
62
Edward Francis Burney, 1760–1848
Amateurs of Tye-Wig Music
ca. 1800-1815
63
unknown artist
View of the South Front of Hamilton Palace
ca. 1800
64
Anthony Pasquin, 1763–1818
Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England