Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
2
John Virtue, born 1947
Landscape No. 326
between 1996 and 1997
Not on view
3
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
4
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
5
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
6
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
7
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
8
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
9
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
10
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
11
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
12
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
13
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
14
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
15
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
16
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
17
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
18
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
19
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
20
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
21
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
22
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
23
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
24
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
25
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
26
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
27
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
28
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
29
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
30
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
32
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
33
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
34
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
35
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
36
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
37
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
38
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
39
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
40
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
41
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
42
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
43
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
44
Attributed to Joseph Michael Gandy, 1771–1843
Design for a Tudoresque Country House
undated
45
Thomas Heaphy, 1775–1835
Inattention
1808
46
Thomas Heaphy, 1775–1835
Robbing a Market Girl
1807
47
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
48
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
49
Alan Reynolds, 1926–2014
Landscape, Cornwall
1958
50
John Tunnard, 1900–1971
Smoking Hill
1949
51
Feliks Topelski, 1907–1989
Esme Percy
undated
52
Capt. Francis Grose, 1731–1791
The Arches Near the East Gate, Bury St. Edmunds Suffolk
1777
53
Capt. Francis Grose, 1731–1791
St. Catherine's Castle at Fowey, Cornwall
undated
54
Capt. Francis Grose, 1731–1791
St. Mary's Priory, Thetford
undated
55
Capt. Francis Grose, 1731–1791
View near Arwington Hall, Suffolk
1767
56
Capt. Francis Grose, 1731–1791
Priory Old House, Thetford
1777
57
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of a Duck
58
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Hatfield House
59
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies. A Waterfall
60
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Drawings: Houses on a Rocky shoreline
61
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Storm at Sea
62
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains
63
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground
64
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
65
Thomas Sandby, 1721–1798
Gun and Limber, No. 7
1747
66
Frederick William Woledge, active 1840
Brighton: the front and the chain pier seen in the distance
undated
67
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
1831
68
Augustus Welby Northmore Pugin, 1812–1852
Design for a Cope
undated
69
George Augustus Sala, 1828–1895
Self-Portrait
undated
70
George Augustus Sala, 1828–1895
The Butler
between 1862 and 1882
71
Henry William Bunbury, 1750–1811
A Soiree
undated
72
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
73
George Sidney Shepherd, 1784–1862
Finsbury Square
1814
74
William Evans of Bristol, 1809–1858
View of Kensington Palace from across the Round Pond
1832
75
Henri Gaudier-Brzeska, 1891–1915
Standing Female Figure
between 1910 and 1915
76
Henri Gaudier-Brzeska, 1891–1915
Two Studies of a Female Figure
between 1910 and 1915
77
John Donowell, active 1753–1786
A View of Esq. Turner's Garden at Valence in Kent
undated
78
unknown artist
A Balloon Ascent near Greenwich Hospital
ca. 1800
79
Henri Gaudier-Brzeska, 1891–1915
Seated Female Figure
between 1910 and 1915
80
Henri Gaudier-Brzeska, 1891–1915
Five Studies of a Female Figure
between 1910 and 1915
81
W. S. Penson, 19th century
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office
undated
82
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
83
Attributed to Edward Edwards, 1738–1806
St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..
undated
84
William Evans of Eton, 1798–1877
A Rustic Bridge over the Thames, Anglers on the River Bank
1845
85
George Bulteel Fisher, 1764–1834
View of Portsmouth Harbor with Shipping, Showing Buildings on Shore
undated
86
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
87
John Greenwood, 1727–1792
Various Shipping off the Coast
undated
88
Henri Gaudier-Brzeska, 1891–1915
Standing Female Figure
between 1910 and 1915
89
Henri Gaudier-Brzeska, 1891–1915
Standing Female Figure
between 1910 and 1915
90
Henri Gaudier-Brzeska, 1891–1915
Reclining Female Figure
between 1910 and 1915
91
Henri Gaudier-Brzeska, 1891–1915
Seated Female Figure
between 1910 and 1915
92
William P. Sherlock, c.1780–1850
Sandham, Isle of Wight
undated
93
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
94
unknown artist
Old House beside a Pool
ca. 1810
95
John Vanderbank, 1694–1739
Three Ladies
1726
96
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
97
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
98
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Man Riding a Horse on the Beach
99
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rocky Coastal Scene