Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
17
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
18
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
19
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
1823
20
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
21
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
22
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
23
Matthew Dubourg, active 1786–1838
Set of Four - Fox-hunting: In Full Cry
1813
24
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
25
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
26
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
27
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
28
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
29
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
30
George Hunt, active 1820–1840
The Cover
1823
31
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
32
George Hunt, active 1820–1840
Full Cry
1823
33
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
34
Richard Gilson Reeve, 1803–1889
Fox Hunters - Throwing Off
1828
35
Richard Gilson Reeve, 1803–1889
Fox Hunting: Drawing the Cover
1835
36
Richard Gilson Reeve, 1803–1889
Fox Hunters - In Full Cry
1828
37
Richard Gilson Reeve, 1803–1889
Plate 3. Pheasant Shooting
1813
38
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
39
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
40
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
41
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
42
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
43
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
44
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
45
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
46
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
47
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
51
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
52
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
53
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
54
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
55
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
56
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
57
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
58
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
59
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
60
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
61
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
62
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
63
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
64
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
65
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
66
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
67
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
68
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
69
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
70
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
71
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
72
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
73
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
74
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
75
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
76
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
77
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
78
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
79
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
80
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
81
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
82
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
83
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
84
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
85
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
86
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
87
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
88
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
89
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
90
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse, Profile Left
undated
91
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Right
undated
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
93
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
94
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
100
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'