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1. Aldwych

Aldwych
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1924
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 x 32 inches (62.2 x 81.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Somerset House Terrace from Waterloo Bridge
Creator:
John Constable, 1776–1837
Date:
ca. 1819
Materials & Techniques:
Oil on panel
Dimensions:
6 1/8 x 7 3/8 inches (15.6 x 18.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Abbey from Tothill Fields
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View on the Thames with Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
between 1743 and 1744
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Great Exhibition of 1851
Creator:
James Duffield Harding, 1798–1863
Date:
1851
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 inches (35.6 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Westminster from Near the Terrace of Somerset House
Creator:
Canaletto, 1697–1768
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Interior of Westminster Abbey
Creator:
unknown artist
Date:
ca. 1714
Materials & Techniques:
Oil on canvas
Dimensions:
48 1/8 x 38 1/2 inches (122.2 x 97.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Serpentine, Hyde Park
Creator:
Attributed to George Sidney Shepherd, 1784–1862
Date:
mid-19th century
Materials & Techniques:
Oil on panel
Dimensions:
6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View of Westminster Bridge
Creator:
Daniel Turner, active 1782–1805
Date:
early 19th century
Materials & Techniques:
Oil on panel
Dimensions:
4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View of the Wilderness in St. James's Park
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1770 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
Creator:
George Arnald, 1763–1841
Date:
1808
Materials & Techniques:
Oil on panel
Dimensions:
7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
Creator:
unknown artist
Date:
ca. 1804
Materials & Techniques:
Oil on board laid down on panel
Dimensions:
15 7/8 x 20 1/16 inches (40.3 x 51 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Burning of the Houses of Parliament
Creator:
unknown artist
Date:
ca. 1834
Materials & Techniques:
Oil on panel
Dimensions:
5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Bridge, with the Lord Mayor's Procession on the Thames
Creator:
Canaletto, 1697–1768
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 43 5/8 x 56 x 3 inches (110.8 x 142.2 x 7.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Arches of Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
42 3/4 × 47 3/4 inches (108.6 × 121.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Abbey and Bridge
Creator:
Joseph Farington, 1747–1821
Date:
1794
Materials & Techniques:
Oil on canvas
Dimensions:
36 3/8 x 28 inches (92.4 x 71.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/4 x 59 1/4 inches (79.4 x 150.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Building of Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1742
Materials & Techniques:
Oil on canvas
Dimensions:
27 x 47 inches (68.6 x 119.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Westminster Stairs
Creator:
Claude de Jongh, ca. 1600–1663
Date:
1631
Materials & Techniques:
Oil on panel
Dimensions:
18 1/4 x 31 1/2 inches (46.4 x 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Westminster
Creator:
Claude de Jongh, ca. 1600–1663
Date:
ca. 1630
Materials & Techniques:
Oil on panel
Dimensions:
17 1/16 × 23 3/4 inches (43.3 × 60.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
William Massey-Stanley driving his Cabriolet in Hyde Park
Creator:
John Ferneley, 1782–1860
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
43 1/2 x 62 1/2 inches (110.5 x 158.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
Creator:
unknown artist
Date:
between 1790 and 1799
Materials & Techniques:
Oil on panel
Dimensions:
10 1/4 x 11 1/2 inches (26 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
An Imaginary View of Westminster Bridge
Creator:
unknown artist
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 × 36 1/4 inches (71.8 × 92.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
St. James's Park
Creator:
George Morland, 1763–1804
Date:
between 1788 and 1790
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 19 inches (40.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
Creator:
Edward Edwards, 1738–1806
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
50 3/8 x 40 inches (128 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
undated
Materials & Techniques:
Oil on panel
Dimensions:
6 1/2 × 16 3/16 inches (16.5 × 41.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Somerset House, London
Creator:
Frederick Nash, 1782–1856
Date:
ca. 1825
Materials & Techniques:
Oil on artist's board
Dimensions:
5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Westminster Bridge
Creator:
Frederick Nash, 1782–1856
Date:
ca. 1825
Materials & Techniques:
Oil on artist's board
Dimensions:
5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Bayhorse, Tattersall’s
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1921
Materials & Techniques:
Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Abbey from Dean's Yard
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Regent's Park
Creator:
Patrick Nasmyth, 1787–1831
Date:
1805
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehall Palace, London: Elevation of Proposed Design
Creator:
unknown artist
Date:
between 1710 and 1740
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehall Palace, London: Section of Proposed Design
Creator:
unknown artist
Date:
between 1710 and 1740
Materials & Techniques:
Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waterloo Bridge from the Garden of M. A. Taylor, Esq.
Creator:
William Parrott, 1813–ca. 1869
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 × 8 3/8 inches (11 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ambulatory, Westminster Abbey
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the Ordnance Office
Creator:
unknown artist
Date:
after 1780
Materials & Techniques:
Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scenery, Haymarket Theatre
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Family in Hyde Park
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Proposed plan for Trafalgar Square
Creator:
George Belton Moore, 1805–1875
Date:
1841
Materials & Techniques:
Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gunpowder Magazine, Hyde Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The City of Westminster from Near the York Water Gate
Creator:
Canaletto, 1697–1768
Date:
between 1746 and 1747
Materials & Techniques:
Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Large Church (Westminster Abbey) at Sunset
Creator:
Attributed to Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:
Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
Creator:
Albert Goodwin, 1845–1932
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portico of St. Martin-in-the-Fields
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1862
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1789
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Westminster Bridge under Construction
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

51. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the Court of Common Pleas and the Robery Room
Creator:
Studio of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the House of Commons as it is at Present
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Lithograph on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 8 3/4 × 13 11/16 inches (22.2 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.
Creator:
Print made by George Gladwin, active 1820s–1830s
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Commons Restored Giving Additional Sitting Room for 100 Members
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/8 inches (21.9 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance Doorway in the Tower, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West view of St. Stephen's Chapel Westminster, Restored 1800
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1801
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New East Front, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1801
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Springing of an Arch, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Capitals, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving, proof before lettering on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 6 5/16 × 9 1/8 inches (16 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
John Coney, 1786–1833
Date:
1813
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry the Seventh's Chapel
Creator:
Print made by Edward Rooker, 1724–1774
Date:
undated
Materials & Techniques:
Etching on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry the Seventh's Chapel, North Side
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
undated
Materials & Techniques:
Lithograph on slightly textured, medium, white wove paper
Dimensions:
Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of the Abbey Church, Westminster, Taken from Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
1785
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection