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Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
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1
- Cornfields with Barn, Shoreham
- ca. 1829
2
- The Primitive Cottage, Shoreham
- undated
3
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
4
- Trees and Deer
- 1825
5
- Benjamin Read
- ca. 1757
6
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
7
- The Mansion House, London: Elevation
- undated
8
- Whitehall Palace, London: Elevation of Proposed Design
- between 1710 and 1740
9
- Whitehall Palace, London: Section of Proposed Design
- between 1710 and 1740
10
- Design for a Chimneypiece
- undated
11
- Design for the Decoration of a Staircase
- undated
12
- Design for a Vase
- undated
13
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
14
- Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
- 1765
15
- Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
- 1765
16
- Apollo and Daphne
- between 1770 and 1799
17
- Classical Study of Three Figures
- undated
18
- City of Bath
- 1678
19
- A Study for the Pilkington Crest, a mower with a scythe
- undated
20
- The Diana Fountain, Bushy Park: Original Design
- undated
21
- Hulks in the Medway
- undated
22
- A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
- undated
23
- Venetian Fantasy
- undated
24
- The Birth of Venus
- undated
25
- Cobham Hall, Kent: North Elevation of South Wing
- undated
26
- Cobham Hall, Kent: Ground Plan
- 1798
27
- Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
- ca. 1790
28
- Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
- 1798
29
- Cobham Hall, Kent: Plan of the chamber story of part of the offices
- 1798
30
- The Sermon on the Mount
- undated
31
- View of Shershah's Tomb at Sasaram in Bihar
- ca. 1779
32
- Kings Weston, Bristol: Entrance Front Elevation
- ca. 1710
33
- Details of a Corinthian Temple on the Acropolis of Pergamon
- ca. 1750
34
- Queen's College, Oxford: Plan and Elevation of Hall and Chapel
- undated
35
- Design for a Ceiling
- undated
36
- The Adoration
- 1723
37
- The Needles from Alum Bay
- undated
38
- Neptune
- undated
39
- 38 Sketches in Cumberland, Westmoreland, etc
- 1834 to 1846
40
- Study for 'Finding of the Body of Bassanio'
- 1804
41
- A View at Lucerne
- 1775
42
- Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
- ca. 1779
43
- General Joseph Sabine
- undated
44
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
45
- A Man with a Long Nose and Tie Wig: Profile, facing right, half length
- undated
46
- Design for a Ceiling Decoration
- 1723
47
- Head of a Man with a Beard Looking to the Left
- undated
48
- Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
- undated
49
- Design for Ceiling Walls and Staircase
- between 1712 and 1713
50
- An English Man-of-War, Port View from the Stern
- ca. 1675
51
- Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
- ca. 1790
52
- Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
- ca. 1790
53
- Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
- ca. 1790
54
- Cobham Hall, Kent: South Elevation of North Wing
- ca. 1790
55
- A Niche for Mr. Portman's House at Sherborne
- ca. 1720
56
- Firing a Salute
- 1770
57
- An English Man of War, Starboard Quarter View: Possibly the Victory
- ca. 1675
58
- Cobham Hall, Kent: Design for a Lintel for One End of a Passage
- ca. 1790
59
- Cobham Hall, Kent: Unidentified Plan
- ca. 1790
60
- Frieze and Capitals (from Priene?)
- ca. 1750
61
- Romantic Landscape with Figures and a Dog
- undated
62
- The City of Westminster from Near the York Water Gate
- between 1746 and 1747
63
- Snowdon, an Approaching Storm
- 1853
64
- Two Boats with Crews, Study for The Royal William at Sea
- undated
65
- Conversation Piece
- undated
66
- Naval Officer Seated, Smoking
- undated
67
- Wentworth, Earl of Strafford
- undated
68
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
69
- Scene from Quentin Durward
- 1833
70
- Whitton House, Middlesex: Mezzanine and Attic Floor Plans
- between 1732 and 1739
71
- Wayfarers
- undated
72
- Andromache Mourning the Death of Hector
- between 1760 and 1763
73
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
74
- A View from Peterborough Tower at Tangier
- 1669
75
- Landscape with Gorge and Cattle
- undated
76
- Ruins in Rome
- between 1768 and 1775
77
- On the Rhone
- ca. 1780
78
- Battledore and Shuttlecock
- ca. 1740
79
- Scene with Horse and Rider
- undated
80
- London Cries: A Lace Seller
- ca. 1759
81
- London Cries: Boy with a Donkey
- ca. 1759
82
- Headfort House, Ireland: Section of One End of the Parlor
- 1771
83
- Headfort House, Ireland: Elevation of the Eating Parlor
- 1771
84
- Extensive View of Windsor Castle
- undated
85
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
86
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
87
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
88
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
89
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
90
- Landscape at Ambleside
- ca. 1800
91
- Capriccio of a Venetian Courtyard
- undated
92
- Boulner, East Yarmouth
- undated
93
- Man Asleep with his Mouth Wide Open and Hands Crossed
- undated
94
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
95
- The Smock Exposed
- 1817
96
- Hogarth Drawing Sarah Malcolm
- 1817
97
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
98
- The Reconcilation
- 1817
99
- Hogarth Sitting to Roubiliac for His Bust
- 1817
100
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817