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Materials & Techniques etching (printing process)

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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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601. Man with a Walking Stick in a Landscape

Man with a Walking Stick in a Landscape
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 1/16 x 9 1/16 inches (25.6 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

602. Postiglione Germanico

Postiglione Germanico
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 13/16 x 8 1/2 inches (27.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

603. The Slumbers of Ragotin Interrupted

The Slumbers of Ragotin Interrupted
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

604. The Salutation Tavern

The Salutation Tavern
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

605. Strephon and Chloe

Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

606. Study of a Lady

Study of a Lady
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1781
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 8 15/16 inches (31.4 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

607. Overthrow of Dr. Slop

Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

608. The Siege of Namur

The Siege of Namur
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

609. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

610. Silver Vessel Found near the Temple of Jupiter at Rome

Silver Vessel Found near the Temple of Jupiter at Rome
Creator:
Print made by Charles Cameron, 1742–1812
Date:
1775
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/16 × 9 1/2 inches (18 × 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

611. Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase

Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
Creator:
Print made by Charles Cameron, 1742–1812
Date:
1773
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 × 7 5/16 inches (27.5 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

612. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1858
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

613. The Margate Hoy

The Margate Hoy
Creator:
Print made by Charles Catton the elder RA, 1728–1798
Date:
1785
Materials & Techniques:
Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

614. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 1/16 × 2 15/16 inches (7.8 × 7.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

615. Wooded Landscape with a River Leading to Distant Buildings

Wooded Landscape with a River Leading to Distant Buildings
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

616. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1810
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, brown wove paper
Dimensions:
Mount: 4 9/16 x 3 13/16 inches (11.6 x 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

617. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1864
Materials & Techniques:
Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

618. The Gipsy Encampment

The Gipsy Encampment
Creator:
Print made by Samuel David Colkett, 1806–1863
Date:
1830
Materials & Techniques:
Etching on very thick, rough, white wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

619. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

620. The Cotillion Dance

The Cotillion Dance
Creator:
Print made by James Caldwall, 1739–1819
Date:
1771
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 13 9/16 inches (25.5 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

621. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1920
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

622. Via Mala

Via Mala
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

623. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

624. View of a River from a Terrace, Macon

View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

625. Huntsmen in a Wood

Huntsmen in a Wood
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

626. Morning Prayer

Morning Prayer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

627. The Spring Flood

The Spring Flood
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1865
Materials & Techniques:
Etching on thin, slightly textured, beige India paper laid on thick, slightly textured, cream card
Dimensions:
Mount: 8 1/16 x 6 13/16 inches (20.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

628. A Pastoral

A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1893
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

629. Spanish Student

Spanish Student
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:
Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

630. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

631. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

632. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

633. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

634. Oxford from North Hinksey

Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

635. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

636. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

637. St. Mark's Place, Venice - Juliet and her Nurse

St. Mark's Place, Venice - Juliet and her Nurse
Creator:
Print made by George Hollis, 1792–1842
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

638. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

639. How to Ride Without a Bridle

How to Ride Without a Bridle
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Hand-colored etching on thick beige card
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

640. Love and Wind

Love and Wind
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Hand-colored etching on thick beige card
Dimensions:
Sheet: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

641. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

642. Sir James Butler, 2nd Duke of Ormonde

Sir James Butler, 2nd Duke of Ormonde
Creator:
Simon Gribelin, 1662–1733
Date:
1713
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 1/2 inches (37.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

643. Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
Creator:
George Vertue, 1684–1756
Date:
1745
Materials & Techniques:
Etching, engraving, and stipple on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 8 1/2 inches (35.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

644. Sir Walter Raleigh

Sir Walter Raleigh
Creator:
unknown artist
Date:
undated
Materials & Techniques:
stipple engraving, line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 9 1/8 inches (37 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

645. Mary Isabella Manners (née Somerset), Duchess of Rutland

Mary Isabella Manners (née Somerset), Duchess of Rutland
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

646. Sir Philip Sidney

Sir Philip Sidney
Creator:
George Vertue, 1684–1756
Date:
1741
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

647. Edmund Spenser

Edmund Spenser
Creator:
George Vertue, 1684–1756
Date:
1727
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 × 9 15/16 inches (37.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

648. The Mask

The Mask
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1790
Materials & Techniques:
Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

649. Lieutenant General Thomas Talmash

Lieutenant General Thomas Talmash
Creator:
Jacobus Houbraken, 1698–1780
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 9 15/16 inches (39.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

650. Edward Lord Thurlow

Edward Lord Thurlow
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 19 3/8 × 14 5/16 inches (49.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

651. Thomas Wolsey

Thomas Wolsey
Creator:
Pieter S. van der Gunst, 1659–c. 1724
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 8 inches (34.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

652. The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
Creator:
after George Vertue, 1684–1756
Date:
1738
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 3/16 inches (47.6 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

653. Shakespeare, Macbeth Act IV, Scene I

Shakespeare, Macbeth Act IV, Scene I
Creator:
Robert Thew, 1758–1802
Date:
1802
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

654. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

655. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

656. The Distress'd Situation of the Dutton East Indiaman

The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

657. View of Sion House from the Banks of the Thames

View of Sion House from the Banks of the Thames
Creator:
John Hassell, 1767–1825
Date:
1799
Materials & Techniques:
Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

658. The Hermitage of Warkworth

The Hermitage of Warkworth
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 × 30 1/8 inches (54 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

659. The Bank

The Bank
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1781
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

660. Interior View of the Bank

Interior View of the Bank
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Hand colored etching on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 15/16 × 5 1/2 inches (22.7 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

661. William Aikman

William Aikman
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
undated
Materials & Techniques:
Stipple engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/16 × 5 1/2 inches (23 × 13.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

662. Sir William Allan

Sir William Allan
Creator:
Print made by Francis Croll, baptized 1826–1854
Date:
undated
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 1/16 × 6 5/8 inches (25.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

663. The Bank of England and Royal Exchange, Cornhill

The Bank of England and Royal Exchange, Cornhill
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1840
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 7 5/8 × 15 1/8 inches (19.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

664. James Beattie, LL.D.

James Beattie, LL.D.
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1805
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 13/16 × 9 1/8 inches (19.8 × 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

665. The Old Red House, Battersea

The Old Red House, Battersea
Creator:
Print made by Henry Pymm, 1861–1941
Date:
1912
Materials & Techniques:
Etching and drypoint on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 6 7/16 × 9 1/16 inches (16.4 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

666. View of Bloomsbury Square

View of Bloomsbury Square
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching, aquatint, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 22 1/2 inches (43.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

667. Linlithgow Palace

Linlithgow Palace
Creator:
Print made by Louis Marvy, 1815–1850
Date:
1852
Materials & Techniques:
Lithography and etching, As published, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

668. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
Creator:
John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

669. The Gipsies

The Gipsies
Creator:
Etched by Thomas Gainsborough, 1727–1788
Date:
1764
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 17 3/4 inches (50.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

670. January

January
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1788
Materials & Techniques:
Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

671. Morning

Morning
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

672. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
Creator:
Sir George Hayter, 1792–1871
Date:
1828
Materials & Techniques:
Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

673. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

674. His Majesty Reviewing His Troops on Black Heath

His Majesty Reviewing His Troops on Black Heath
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1797
Materials & Techniques:
Aquatint, etching, and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 13/16 × 28 inches (47.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

675. Noon

Noon
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

676. Evening

Evening
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

677. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

678. Shipwreck

Shipwreck
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 7/8 inches (30.2 × 40.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

679. The Prince of Orange Landing at Torbay

The Prince of Orange Landing at Torbay
Creator:
Print made by William Miller, 1796–1882
Date:
1852
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

680. The Murder of James First, King of Scotland

The Murder of James First, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

681. The Coronation of Queen Victoria

The Coronation of Queen Victoria
Creator:
Print made by Charles E. Wagstaff, 1808–
Date:
1842
Materials & Techniques:
Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

682. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
Creator:
Print made by Charles Rosenberg, active 1828–1848
Date:
1837
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

683. Battle Abbey, The Spot where Harold Fell

Battle Abbey, The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

684. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

685. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1829
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

686. Gosport, Entrance to Portsmouth Harbor

Gosport, Entrance to Portsmouth Harbor
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1831
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

687. Malvern Abbey and Gate, Worcestershire

Malvern Abbey and Gate, Worcestershire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1832
Materials & Techniques:
Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

688. Pembroke Castle, Wales

Pembroke Castle, Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1831
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

689. Ely Cathedral, Cambridgeshire

Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Line engraving and etching, 3rd state on thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

690. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving and etching; 3rd state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/8 inches (27.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

691. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

692. Kidwelly Castle

Kidwelly Castle
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1837
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 7/8 inches (27.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

693. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

694. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

695. The Dead Ass, Nampont

The Dead Ass, Nampont
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

696. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

697. Man Stirring a Cauldron Over an Open Hearth

Man Stirring a Cauldron Over an Open Hearth
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

698. Brightling Observatory

Brightling Observatory
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

699. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

700. Ivy Bridge, Devonshire

Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 5/8 inches (31.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection