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Materials & Techniques etching (printing process)

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Period 19th century

Remove constraint Period: 19th century

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Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
James Girtin Dedication Page for: to the Right Honorable George Earl of Essex
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
James Girtin Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
James Gillray A Scotch Poney - commonly call'd a Galloway
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
James Girtin Half Title page for: Views in Paris and its Environs.
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
Thomas Girtin A General View of Paris taken from Chaillot
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont St. Michael taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin A View of Pont Neuf, the Mint and etc.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin View of the Village of Chaillot and etc. taken from Pont de la Concorde.
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
William Blake The Life, and Posthumous Writings, of William Cowper, (volume 1)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
William Blake Mrs Cowper Mother of the Poet
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
William Blake William Cowper
Print made by William Blake, 1757–1827
William Cowper
1803-1804
James Gillray German - Nonchalence: - or - The Vexation of Little Boney.
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
James Gillray The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
John Greig The Wilderness
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
James S. Storer Cowper's Summer House
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
John Greig Olney Church
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
John Greig The Peasant's Nest
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
John Greig The Elms
Print made by John Greig, active 1803–1853
The Elms
1803-1804
James S. Storer Olney Bridge
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
John Greig Weston House
Print made by John Greig, active 1803–1853
Weston House
1803-1804
James S. Storer Weston Lodge
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
James S. Storer The Shrubbery
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
John Greig The Temple in the Wilderness
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
James S. Storer The Rustic Bridge.
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
James S. Storer Views from the Alcove
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
James S. Storer The Alcove from the Avenue
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
Edward Blore Design for a Park Gateway
Edward Blore, 1787–1879
Design for a Park Gateway
undated
James Ward The Spottiswoode Ox
Print made by James Ward, 1769–1859
The Spottiswoode Ox
1804
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
unknown artist The Young Roscius
Print made by unknown artist
The Young Roscius
1804
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
James Gillray Gentle Emetic
James Gillray, 1756–1815
Gentle Emetic
1804
James Gillray Charming-well again
James Gillray, 1756–1815
Charming-well again
1804
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
James Gillray A Morning Ride
James Gillray, 1756–1815
A Morning Ride
1804
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
John Thomas Smith Cotton Garden, Westminster
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
John Thomas Smith Four Illustrations of Westminster
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
John Thomas Smith Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
James Gillray Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes.
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
Henry Dawe River Meuse
Print made by Henry Dawe, 1790–1848
River Meuse
undated
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
Thomas Gaugain James Beattie, LL.D.
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
James Gillray Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
William Henry Pyne A Bishop
Print made by William Henry Pyne, 1769–1843
A Bishop
1805
James Basire the younger PLATE XV. Elevation of a Window Bay &c
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
unknown artist A Concert Out of Tune!!
Print made by unknown artist
A Concert Out of Tune!!
ca. 1810
Charles Williams The Finishing Kick Out of the Privy Council
Print made by Charles Williams, active 1796–1830
The Finishing Kick Out of the Privy Council
1805
James Heath William Henry West Betty
James Heath, 1757–1834
William Henry West Betty
1806
Anthony Cardon Sir David Baird, 1st Baronet
Anthony Cardon, 1772–1813
Sir David Baird, 1st Baronet
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Charles Williams The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
James Gillray Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
Elizabeth Christiana Fanshawe Elizabeth Alexander
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Elizabeth Alexander
1806
James Godby Admiral William Carnegie, 7th Earl of Northesk
James Godby, 1767–1849
Admiral William Carnegie, 7th Earl of Northesk
1806
John Thomas Smith Eight Illustrations of Westminster
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
John Thomas Smith Oak Door Discovered in the Speaker's State Dining Room
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
James Gillray Political Mathematician's Shaking the Broad Bottom'd Hemispheres
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
James Gillray Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
James Gillray Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
James Gillray Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
James Gillray Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
Robert Hartley Cromek Title Page for "A Father's Memoirs of his Child" by B. Malkin
Print made by Robert Hartley Cromek, 1770–1812
Title Page for "A Father's Memoirs of his Child" by B. Malkin
1806
James Gillray The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
James Gillray Westminster-Conscripts under the Training Act
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
unknown artist No rest in the grave, or the second appearance of Miss Bailey's ghost
Print made by unknown artist
No rest in the grave, or the second appearance of Miss Bailey's ghost
1806
Charles Williams Billy's Ghost, or, Seasonable Admonition
Print made by Charles Williams, active 1796–1830
Billy's Ghost, or, Seasonable Admonition
1806