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Materials & Techniques graphite

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Materials & Techniques pen

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Collection Prints and Drawings

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Genre sporting art

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Work Type drawing

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Search Results

Huntsman and Hounds
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1896
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brighton Races
Creator:
John Nixon, ca. 1760–1818
Date:
1805
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 26 3/4 inches (51.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River with Angler
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 17 5/16 inches (27.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spanish Pointer
Creator:
John Buckler FSA, 1770–1851
Date:
ca. 1799
Materials & Techniques:
Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Premiere Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seconde Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troisieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Desarmé sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Epée & Lanterne Combattüe par L'Epée et Manteau
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Ascot Heath
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige laid paper, mounted on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 3 1/8 × 7 1/8 inches (7.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
Creator:
unknown artist
Date:
ca. 1845
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 30 3/4 inches (31.8 x 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 × 27 1/4 inches (47.9 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bottom Fishing Near Totten Mill
Creator:
Robert Pollard, 1755–1838
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 12 7/8 inches (10.8 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fly Fishing
Creator:
Robert Pollard, 1755–1838
Date:
undated
Materials & Techniques:
Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 10 9/16 inches (10.8 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Punt Fishing in the Thames
Creator:
Robert Pollard, 1755–1838
Date:
undated
Materials & Techniques:
Graphite, with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 13 1/16 inches (10.6 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 5/8 inches (13.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anglers Packing Up
Creator:
Robert Pollard, 1755–1838
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 13 inches (10.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/16 × 6 15/16 inches (12.9 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 3/4 inches (13.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Chestnut Horse at Exercise
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, graphite, and pen and black ink on medium, slightly textured, laid paper
Dimensions:
Contemporary drawn border: 6 11/16 × 8 inches (17 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racehorse at Exercise, Ridden by a Training-Groom
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 6 13/16 inches (13.8 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Gentleman on a Managed Horse Riding Out With a Lady
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Famous Childers
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Victorious
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and brown ink, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 11/16 × 7 3/16 inches (14.4 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Man throwing a Ball to a Dog
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/16 × 6 1/8 inches (8.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Racing Saddle on a Horse's Back, With Details of Stirrup
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite, watercolor, and pen and gray ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
Creator:
James Seymour, 1702–1752
Date:
1743
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 3/8 × 14 3/8 inches (23.8 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Morning

Morning
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woodcock Shooting
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Death

The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Racehorse, Bridled and Saddled
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 3/4 × 10 3/4 inches (24.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Boar Hunt
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kindly, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Meet

The Meet
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Return From the Chase, After a Fall
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: The Death
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
1816
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: Going to Cover
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 7/16 × 17 13/16 inches (31.6 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: Stopping Hounds That Have Changed
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Myles Sandys' Hounds and Huntsmen Starting a Hare
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Evening

Evening
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exercising a Racehorse
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection