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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Study of the Head of a Young Man
- undated
2
- Howard Visiting a Prison
- undated
3
- John Henderson as Falstaff
- 1780
4
- David before Saul
- undated
5
- Howard Visiting a Prison
- undated
6
- Satan Approaching the Court of Chaos
- 1784 to 1785
7
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
8
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
9
- Landing Place at Pallanza
- undated
10
- Port d'Arona
- 1795
11
- View of Bath from Spring Gardens
- 1790
12
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
13
- The Acacia Tree - Figures in a Park
- undated
14
- The Open-Air Preacher
- undated
15
- Farmyard Animals: Tribulation
- 1797
16
- The Seven Bishops Going To Trial
- 1790
17
- The Mansion House
- undated
18
- Lambeth Palace from Across the River
- undated
19
- Tree Study with Stags (Landscape)
- undated
20
- Unidentified Office or Stables: Front Elevation
- ca. 1720
21
- Lake Nemi
- 1776
22
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
23
- Design for the Parterre at Hampton Court
- early 18th century
24
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
25
- Tivoli
- ca. 1768
26
- Design for a Shop Front: Elevation
- undated
27
- Design for a Circular Domed Temple: Elevation
- undated
28
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
29
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
30
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
31
- Unidentified Town House: Front Elevation
- undated
32
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
33
- London Cries: Flowers
- undated
34
- Design for Court of Edinburgh University
- 1779
35
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
36
- Flight of James II
- undated
37
- Landscape with Lake and Figures on a Rocky Road
- 1777
38
- The Ruins of Carthage
- ca. 1769
39
- Britannia in Distress
- 1756
40
- Kenilworth Castle, with Figures on the Hillside
- undated
41
- Rocky River Scene with Sepoys
- undated
42
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
43
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
44
- Plan of the Mesquita of Cordova
- 1775 to 1776
45
- Castello di Smirna
- ca. 1750
46
- Posizione delle Piramidi di Sachara
- ca. 1750
47
- Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
- ca. 1750
48
- The Colosseum, Rome
- undated
49
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
50
- Colosseum, Rome, with Arch to the Left
- after 1770
51
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
52
- The Gunpowder Magazine, Hyde Park
- ca. 1793
53
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
54
- Tassisudon
- 1783
55
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
56
- Harbledown, a Village near Canterbury
- 1757
57
- Cobham Hall, Kent: Windows in Dairy
- 1795
58
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
59
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
60
- A View of Boxhill from Norbury Park, Surrey
- ca. 1775
61
- Du Desarmement sur le Coup de Tierce
- 1763
62
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
63
- Cinquieme Position du Salut
- 1763
64
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
65
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
66
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
67
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
68
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
69
- Premiere Position pour tirer L'Epée
- 1763
70
- Position pour la Garde en Quarte
- 1763
71
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
72
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
73
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
74
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
75
- Seconde Position du Salut
- 1763
76
- Premiere Position du Salut
- 1763
77
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
78
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
79
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
80
- De la Parade de Seconde sur le Coup de Seconde
- 1763
81
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
82
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
83
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
84
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
85
- De la Parade Dequinte sur le Coup de Quinte
- 1763
86
- De la Parade de Prime sur le Coup de Seconde
- 1763
87
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
88
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
89
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
90
- De la Passe en Quarte du Dehors des Armes
- 1763
91
- De la Volte sur la Passe au Dehors des Armes
- 1763
92
- Landscape
- 1765
93
- Two Trees in a Landscape
- between 1762 and 1783
94
- Landscape with Castle on Riverbank
- 1763
95
- Mountain Landscape
- between 1762 and 1783
96
- Three Figures in a Landscape
- 1766
97
- View from a Riverbank
- undated
98
- Italianate Landscape with Travellers no. 2
- ca. 1760
99
- Two Frigates before the Wind
- undated
100
- Scenery, Haymarket Theatre
- undated