A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
5
John Constable, 1776–1837
Cottage among Trees
ca. 1795
6
John Constable, 1776–1837
Trees and Deer
1825
7
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
8
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
9
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
10
Samuel Palmer, 1805–1881
Cornfields with Barn, Shoreham
ca. 1829
11
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
12
attributed to Samuel Palmer, 1805–1881
Boxhill
1868
13
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
14
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
15
Samuel Palmer, 1805–1881
The Primitive Cottage, Shoreham
undated
16
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
17
William Hogarth, 1697–1764
Gabriel Hunt
undated
18
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
19
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
20
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Gourhausen
1817
21
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
22
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
23
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
24
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
25
Joseph Mallord William Turner, 1775–1851
Landscape with Waterfall
ca. 1796
26
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
27
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
28
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
29
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
30
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
31
Michel Jean Cazabon, 1813–1888
Custom House and St. Vincent's Wharf
1851
32
Michel Jean Cazabon, 1813–1888
King's Wharf, and South Quay-Port of Spain
1851
33
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
34
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
35
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
36
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
37
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
38
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
39
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
40
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
41
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
42
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
43
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
44
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
45
Francis Place, 1647–1728
Extensive View of Windsor Castle
undated
46
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
47
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
48
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
49
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
50
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
51
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
52
John Thomas Smith, 1766–1833
The Reconcilation
1817
53
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
54
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
55
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
56
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
57
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
58
Cornelius Varley, 1781–1873
Classical Study
undated
59
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
60
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
61
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
62
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
63
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
64
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
65
John Thomas Smith, 1766–1833
The Smock Exposed
1817
66
unknown artist
Vale of Newlands, Cumberland
undated
67
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of South Wing
undated
68
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Great Room Ceiling
1765
69
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
70
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
71
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
72
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
73
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
74
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
75
unknown artist
Lullingstone Castle
ca. 1670
76
Robert Adam, 1728–1792
Headfort House, Ireland: Staircase Ceiling
between 1771 and 1775
77
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
1771 or 1772
78
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
79
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
80
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
81
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
82
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
83
Robert Adam, 1728–1792
Headfort House, Ireland: Elevations of the Front Hall
between 1771 and 1775
84
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
85
Sir George Howland Beaumont seventh Baronet, 1753–1827
View over Valley
undated
86
Sir George Howland Beaumont seventh Baronet, 1753–1827
Bridge over Stream, North Wales
1800
87
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
88
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
89
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
90
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
91
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
92
Richard Brookes, 1721–1763
Crystals and Fossils
ca. 1760
93
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
94
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
95
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance