View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
106
Peter Oliver, 1589–1647
Venus and Adonis
1631
107
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
108
Dr. Thomas Monro, 1759–1833
Portrait of John Laporte
undated
109
George Morland, 1763–1804
Man Holding Horse by the Bridle
undated
110
Francis Barlow, 1622–1704
Man Hunting with a Pointed Staff and a Hound
ca. 1645-1650
111
unknown artist
The Death of Cordelia
undated
112
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
113
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
114
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
115
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
116
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
117
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
118
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
119
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
120
Paul Sandby, 1731–1809
The Itinerant Pedlar
undated
121
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
122
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
123
Edward Francis Burney, 1760–1848
Woodsman
undated
124
Paul Sandby, 1731–1809
A Good-bye
undated
125
Nathaniel Smith, 1740–1787
Study of a Man
1743
126
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Bunk on Board a Ship
undated
127
Louis Philippe Boitard, active 1734–1760
Portrait of a Man with a Double Chin
undated
128
John Brown, 1749–1787
Study of the Hermaphrodite
undated
129
Samuel Wale, 1721–1786
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
130
Ramsay Richard Reinagle, 1775–1862
Hercules Resting
undated
131
Henry William Bunbury, 1750–1811
A Man wth a Large Nose: Profile Facing Right, Head and Shoulders
undated
132
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
133
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
134
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
135
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
136
John Inigo Richards, 1730/31?–1810
Maxstoke Priory, Warwickshire
undated
137
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
138
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
139
Jonathan Richardson the Elder, 1667–1745
Self Portrait
1736
140
Sir James Thornhill, 1675–1734
Portrait bust of a man in full-length wig
undated
141
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
142
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
143
Mather Brown, 1761–1831
Man Seated on a Rock
undated
144
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
145
Henry William Bunbury, 1750–1811
The Broken Pipe
undated
146
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
147
Benjamin West, 1738–1820
Road Scene in Windsor Forest
undated
148
Paul Sandby, 1731–1809
Conway Castle
1789
149
Nicholas Pocock, 1740–1821
Man Drinking from a Spout
undated
150
James Posselwhite, 1798–1884
Richard Archwright, Inventor of the Spinning Jenny
undated
151
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
152
Capt. Francis Grose, 1731–1791
Wellingborough out of the Angel Window, Northamptonshire
1762
153
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
154
Thomas Rowlandson, 1756–1827
A Tour in a Cathedral
undated
155
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
156
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
157
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
158
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
159
Attributed to John Berney Ladbrooke, 1803–1879
An Old House and a Man Climbing a Stile
undated
160
Marcellus Laroon the Younger, 1679–1772
Head of a Spaniard
undated
161
Marcellus Laroon the Younger, 1679–1772
Corpulent Man, with Tricorn Hat Under His Arm
undated
162
Marcellus Laroon the Younger, 1679–1772
Head of a Turk
undated
163
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
164
Thomas Girtin, 1775–1802
Tempio d' Antonio e Faustina
between 1798 and 1799
165
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
166
George Cruikshank, 1792–1878
Man with a riding crop
undated
167
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
168
George Lambert, 1700–1765
A Young Man Asleep
undated
169
Attributed to Richard Cosway, 1742–1821
Time raising Truth, after Rubens’s “The Triumph of Truth”
undated
170
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
171
Thomas Girtin, 1775–1802
The Archangel Gabriel Awaiting Night
ca. 1799
172
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
173
Sir Thomas Lawrence, 1769–1830
Portrait Study of Henry Gataker
undated
174
Sir Thomas Lawrence, 1769–1830
Double Portrait of a Figure in Both Male and Female Attire
1792
175
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
176
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
177
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
178
Attributed to Francis Cotes, 1726–1770
An Artist Sketching, possibly Paul Sandby
ca. 1755
179
Thomas Rowlandson, 1756–1827
A Potter Returning from Market
ca. 1790
180
Thomas Rowlandson, 1756–1827
The Gourmand
undated
181
Thomas Rowlandson, 1756–1827
The Amorous Turk
undated
182
Thomas Rowlandson, 1756–1827
A Man Driving a Team of Six Girls
between 1778 and 1780
183
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
184
Thomas Rowlandson, 1756–1827
Study of a Shouting Man
undated
185
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
186
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."