A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
3
John Collet, ca. 1725–1780
Ecclesiastical Ruins beside the Thames (?)
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4
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
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5
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
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6
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
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7
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
8
Robert Cleveley, 1747–1809
Shipping in the Mediterranean
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9
Robert Cleveley, 1747–1809
Shipping and Warehouses
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10
James Lewis, 1751–1820
Design for a Country House
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11
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
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12
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
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13
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
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14
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
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15
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
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16
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
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17
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
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18
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
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19
Thomas Stothard, 1755–1834
Tree Study
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20
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
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21
Thomas Stothard, 1755–1834
Back of Naked Figure
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22
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
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23
Isaac Cruikshank, 1764–1811
Embarking on the Ferry
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24
Isaac Cruikshank, 1764–1811
The Flight
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25
Richard Corbould, 1757–1831
Summer
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26
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
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27
Edward Francis Burney, 1760–1848
Norbury Park
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28
Edward Francis Burney, 1760–1848
Erato and Pan
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29
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
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30
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
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31
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
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32
Edward Francis Burney, 1760–1848
Venus and Cupid
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33
Edward Francis Burney, 1760–1848
Pamphilia
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34
Edward Francis Burney, 1760–1848
Pamphilia
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35
Edward Francis Burney, 1760–1848
Bacchanalia
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36
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
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37
Edward Francis Burney, 1760–1848
Bacchanalia
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38
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
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39
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
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40
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
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41
Edward Francis Burney, 1760–1848
Apollo and Phaeton
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42
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
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43
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
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44
Edward Francis Burney, 1760–1848
View in Surrey
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45
Edward Francis Burney, 1760–1848
Mowbray Park
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46
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
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47
Edward Francis Burney, 1760–1848
River Landscape with Bridge
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48
Edward Francis Burney, 1760–1848
Boarding the Ferry
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49
Edward Francis Burney, 1760–1848
Pastural
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50
Edward Francis Burney, 1760–1848
Road in the Forest
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51
Edward Francis Burney, 1760–1848
View at Margate
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52
Edward Francis Burney, 1760–1848
View at Margate
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53
Edward Francis Burney, 1760–1848
View near Bristol
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54
Edward Francis Burney, 1760–1848
Elevation of a House
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55
Edward Francis Burney, 1760–1848
Musicians
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56
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
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57
Edward Francis Burney, 1760–1848
Allegory of Drawing
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58
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
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59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
60
Edward Francis Burney, 1760–1848
Horse Cart
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61
Edward Francis Burney, 1760–1848
Country House
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62
Edward Francis Burney, 1760–1848
Chepstow Castle
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63
Edward Francis Burney, 1760–1848
Hilly Landscape with House
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64
Edward Francis Burney, 1760–1848
Bathampton Mill
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65
Edward Francis Burney, 1760–1848
The Boatman
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66
Edward Francis Burney, 1760–1848
Richmond
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67
Edward Francis Burney, 1760–1848
Bathampton Mill
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68
Edward Francis Burney, 1760–1848
Thatched-roof Barn
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69
Edward Francis Burney, 1760–1848
The Bridge
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70
Edward Francis Burney, 1760–1848
View near Bristol
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71
Edward Francis Burney, 1760–1848
Watley
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72
Edward Francis Burney, 1760–1848
Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
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73
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
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74
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
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75
Edward Francis Burney, 1760–1848
Pastoral
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76
Edward Francis Burney, 1760–1848
The Arts
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77
Edward Francis Burney, 1760–1848
Fools Planting a Tree
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78
Edward Francis Burney, 1760–1848
Theatrical Scene
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79
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
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80
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
82
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
86
James Barry, 1741–1806
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
87
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes
1778
88
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
89
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
90
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
91
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
92
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
93
John Yenn, 1750–1821
Design for a Doorway
1781
94
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House