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Materials & Techniques watercolor

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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Work Type watercolor

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Subject Terms hills

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Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Rheinfels Looking to Katz and Gourhausen
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Gourhausen
1817
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Foul by God: River Landscape with Anglers Fishing From a Weir
Joseph Mallord William Turner, 1775–1851
Foul by God: River Landscape with Anglers Fishing From a Weir
ca. 1830
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Crichton Castle (Mountainous Landscape with a Rainbow)
Joseph Mallord William Turner, 1775–1851
Crichton Castle (Mountainous Landscape with a Rainbow)
ca. 1818
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
between 1796 and 1797
Joseph Mallord William Turner Mountain Landscape with Lake
Joseph Mallord William Turner, 1775–1851
Mountain Landscape with Lake
ca. 1842
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner On the Mosell, Near Traben Trarbach
Joseph Mallord William Turner, 1775–1851
On the Mosell, Near Traben Trarbach
ca. 1841
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
Edward Lear Oasis Village
Edward Lear, 1812–1888
Oasis Village
1854
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
William Pearson Unidentified Landscape: Trees with Church
William Pearson, 1772–1849
Unidentified Landscape: Trees with Church
undated
Paul Sandby Munn Landscape at Beddgelert, North Wales
Paul Sandby Munn, 1773–1845
Landscape at Beddgelert, North Wales
1832
Thomas Sunderland Landscape: Trees, Lakes and Mountains, Lake District
Thomas Sunderland, 1744–1828
Landscape: Trees, Lakes and Mountains, Lake District
undated
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
Godfrey Thomas Vigne Cerco de Paro, Lima
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
Godfrey Thomas Vigne Oruro, Bolivia
Godfrey Thomas Vigne, 1801–1863
Oruro, Bolivia
1855
Michael "Angelo" Rooker Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
Michael "Angelo" Rooker, 1746–1801
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
undated
William Taverner An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
John Varley Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
John Varley Barnard Castle, County Durham
John Varley, 1778–1842
Barnard Castle, County Durham
undated
Paul Sandby Munn View of Side Farm, Patterdale
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
John Malchair Mountainous Landscape with Castle on Hill
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
Lt. Gen. Charles Emilius Gold A View of Hobart, Tasmania
Lt. Gen. Charles Emilius Gold, 1803?–1871
A View of Hobart, Tasmania
1846
John Glover A Yorkshire Road
John Glover, 1767–1849
A Yorkshire Road
undated
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
Charles Gore Konigstein
Charles Gore, 1729–1807
Konigstein
1789
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
John Linnell View at Mr. Sheppard's, The Ridge, Gloucestershire
John Linnell, 1792–1882
View at Mr. Sheppard's, The Ridge, Gloucestershire
undated
William Henry Hunt The Flagstaff, Margate
William Henry Hunt, 1790–1864
The Flagstaff, Margate
undated
John Linnell Llanberis, North Wales
John Linnell, 1792–1882
Llanberis, North Wales
1813
John Martin Lot Fleeing Sodom
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
John Hassell Sluice House, Hornsey, Middlesex
John Hassell, 1767–1825
Sluice House, Hornsey, Middlesex
ca. 1812
John Hassell Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.
John Hassell, 1767–1825
Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq
ca. 1812
Thomas Hearne Landscape
Thomas Hearne, 1744–1817
Landscape
undated
John William Inchbold Swiss Valley Landscape
John William Inchbold, 1830–1888
Swiss Valley Landscape
1885
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
John Martin The Ravens Feeding Elijah
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
Moses Griffith View of Erthig, Denbigshire, Wales
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
Samuel Howitt The Stone Gatherers
Samuel Howitt, 1756–1822
The Stone Gatherers
undated
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
Sir George Howland Beaumont seventh Baronet Falls at Schaffhausen
Sir George Howland Beaumont seventh Baronet, 1753–1827
Falls at Schaffhausen
1782
John Linnell Quarries near Ironbridge (Earthworks, Cambridge Terrace)
John Linnell, 1792–1882
Quarries near Ironbridge (Earthworks, Cambridge Terrace)
ca. 1816
John Linnell Landscape in North Wales
John Linnell, 1792–1882
Landscape in North Wales
1813
John Middleton Woodland Scene with a Path Across a Stream
attributed to John Middleton, 1826–1856
Woodland Scene with a Path Across a Stream
undated
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Dr. Thomas Monro The Edge of the Lake
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
John Thomas Serres Bolt Head, South East, 1/2 South (4 or 5 miles)
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
John Thomas Serres Ram Head, North by West (2 miles distance)
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
Samuel Davis The Hurduar Looking Up the River
Samuel Davis, 1760–1819
The Hurduar Looking Up the River
undated
William Payne Mill on the Tavy
William Payne, active 1850s
Mill on the Tavy
undated
John Varley Mountainous Landscape with Lake
John Varley, 1778–1842
Mountainous Landscape with Lake
1840
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
Michael "Angelo" Rooker Carisbrooke Castle, Isle of Wight
attributed to Michael "Angelo" Rooker, 1746–1801
Carisbrooke Castle, Isle of Wight
undated
John Thomas Serres The Start Point, North East by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
John Thomas Serres Dover Castle, North East, 1/2 North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
John Thomas Serres The South Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
John Thomas Serres The Ram Head (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
John Thomas Serres Piveral Point (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
John Thomas Serres The Bill of Portland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
Thomas Sunderland The Head of Ullswater, With the Lodge of Patterdale on the Left
Thomas Sunderland, 1744–1828
The Head of Ullswater, With the Lodge of Patterdale on the Left
ca. 1790
unknown artist View from the Roof of a Farm
unknown artist
View from the Roof of a Farm
undated