Materials & Techniques: watercolor / Classification: Prints - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques watercolor

Classification Prints

William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake Europe. A Prophecy, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

1794

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

1794

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

1794

William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

1794

William Blake America. A Prophecy, Plate 17, "On Albions Angels...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 17, "On Albions Angels...."

1793

William Blake America. A Prophecy, Plate 18, "Over the Hills...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 18, "Over the Hills...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

1794

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

1793

William Blake The First Book of Urizen, Plate 11 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Robert Isaac Cruikshank Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

William Heath Finis

Print made by William Heath, 1795–1840

Finis

1829

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Thomas Cheesman General Washington

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Luigi Schiavonetti The Mask

Luigi Schiavonetti, 1765–1810

The Mask

1790

Thomas Cheesman General Washington

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Luigi Schiavonetti Milk below Maids

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Luigi Schiavonetti Sweet China Oranges, Sweet China

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Niccoló Schiavonetti New Mackrel, New Mackrel

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Giovanni Vendramini Fresh Gathered Peas, Young Hastings

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Giovanni Vendramini Strawberrys, Scarlet Strawberries.

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberries

1795

Anthony Cardon A New Love Song, Only ha'Penny a Piece

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

John W. Gear Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Print made by John W. Gear, 1806–1866

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

undated

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

William H. Hoogkamer Welgelegen:Vue du Pavillon de Harlem prise du Bois

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Thomas Girtin, 1775–1802

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Giovanni Vendramini Knives, Scissars, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Giovanni Vendramini Old Chairs to Mend

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

unknown artist A Maiden Lady and her Family

Print made by unknown artist

A Maiden Lady and her Family

between 1820 and 1840

Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Elizabeth Blackwell Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Elizabeth Blackwell Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Charles James Canton Frederick William III King of Prussia

Print made by Charles James Canton, active 19th century

Frederick William III King of Prussia

1815

John Smith His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

Print made by John Smith, 1652–1743

His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

between 1667 and 1723

Robert Barnes Two Girls Playing

Print made by Robert Barnes, 1840–1895

Two Girls Playing

undated

James Gillray National Discourse

James Gillray, 1756–1815

National Discourse

1780

James Gillray INTEGRITY retiring from Office

James Gillray, 1756–1815

INTEGRITY retiring from Office

1801

James Gillray Charming-well again

James Gillray, 1756–1815

Charming-well again

1804

James Gillray Scene le Vrog House

James Gillray, 1756–1815

Scene le Vrog House

1782

James Gillray The Kettle Hooting the Porridge-Pot

James Gillray, 1756–1815

The Kettle Hooting the Porridge-Pot

1782

James Gillray Britania's Assassination..or - The Republican Amuseument

James Gillray, 1756–1815

Britania's Assassination..or - The Republican Amuseument

1782

James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

James Gillray Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

James Gillray, 1756–1815

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

1798

Thomas Rowlandson One Tree Hill Greenwich Park

Print made by Thomas Rowlandson, 1756–1827

One Tree Hill Greenwich Park

1811

Paul Fourdrinier Sweet William's Farewell to Black Eyed Susan

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Paul Fourdrinier A Sea Engagement between the English and Algerines

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Remi Parr The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

J. Carwitham An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Thomas Malton the Younger Newgate

Thomas Malton the Younger, 1748–1804

Newgate

1799

unknown artist The Obelisk in the Garden at Versailles

Print made by unknown artist

The Obelisk in the Garden at Versailles

William Nelson Gardiner November

Print made by William Nelson Gardiner, 1766–1814

November

1788

William Daniell Barmouth, Merionethshire

Print made by William Daniell, 1769–1837

Barmouth, Merionethshire

1814

Philip Dawe Gadshill

Print made by Philip Dawe, ca.1750–ca.1790

Gadshill

1796

William Ward A Young Lady Encouraging the Low Comedian

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787