Creator Gender: male / Period: 19th century / Genre: literary theme / Image Available: Available / Work Type: intaglio print / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Prints made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper (volume 3)

1803-1804

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by John Horsburgh, 1791–1869

Bemerside Tower (Vignette)

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Richardson, active 1842–1877

Ashestiel (Vignette)

1854 reprint

Print made by John Horsburgh, 1791–1869

Ashestiel (Vignette)

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower (Vignette)

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Field of Waterloo (with Lightning)

1835

Print made by William Miller, 1796–1882

The Rhymer's Glen (Vignette)

1835

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound (Vignette Title)

1835

Print made by William Miller, 1796–1882

Chiefswood Cottage

1835

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1843

Print made by William Miller, 1796–1882

Scott's Birthplace, no. 39, Castle Street, Edinburgh

1839

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by Robert Brandard, 1805–1862

Mustering of the Warrior Angels (Vignette)

1835

Print made by Frederick Bacon, 1803–1887

The Temptation on the Pinnacle (Vignette)

1835

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels (Vignette)

1835

Print made by Edward Goodall, 1795–1870

The Expulsion from Paradise (Vignette)

1835

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1833

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

Captivity

1834

Print made by Edward Goodall, 1795–1870

An Old Oak

1834

Print made by James T. Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by John Horsburgh, 1791–1869

Shakespeare's Monument at the Church at Stratford upon Avon

1834

Print made by James Baylis Allen, 1803–1876

Loch-Leven Castle

1844

Print made by John Cousen, 1804–1880

The Temptation on the Mountain (Vignette)

1835

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

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Creator Gender male

Period 19th century

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Period 19th century

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