Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
6
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
7
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
8
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
9
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
10
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
11
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
12
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
13
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
14
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
15
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
16
Samuel Scott, 1701/2–1772
The Building of Westminster Bridge
ca. 1742
Not on view
17
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
18
Samuel Scott, 1701/2–1772
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
19
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
20
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
21
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
22
Samuel Scott, 1701/2–1772
View on the Thames with Westminster Bridge
between 1743 and 1744
Not on view
23
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
24
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
25
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
26
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
27
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
28
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
29
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
30
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
31
John Boydell, 1720–1804
St. Clement Danes
1751
32
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
33
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
34
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
35
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
36
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
37
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
38
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
39
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
40
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
41
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
42
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
43
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
57
unknown artist
Elevation of the Ordnance Office
after 1780
58
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
59
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
60
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
61
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
62
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
63
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
64
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
65
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
66
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
67
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
68
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
69
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
70
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
71
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
72
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
73
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
74
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
75
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
76
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
77
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
82
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
90
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
91
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
92
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
95
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
96
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey