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Collection Prints and Drawings

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Period 19th century

Remove constraint Period: 19th century

Subject Terms shepherd

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881
The Lonely Tower
1868
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
Edward Radclyffe Outskirts of the Forest
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
David Allan Patie and Peggy
Print made by David Allan, 1744–1796
Patie and Peggy
1808
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
David Cox The Junction of the Severn and the Wye with Chepstow in the Distance
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
James Havard Thomas Shepherd Resting and Conversing
James Havard Thomas, 1854–1921
Shepherd Resting and Conversing
1897
Walter Goodall Glencoe: A Shepherd Boy Crossing a Burn
Walter Goodall, 1830–1889
Glencoe: A Shepherd Boy Crossing a Burn
1857
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
William Havell Landscape with a Seated Shepherd
Print made by William Havell, 1782–1857
Landscape with a Seated Shepherd
1804
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
Richard Earlom A Landscape
Print made by Richard Earlom, 1743–1822
A Landscape
1817
David Lucas Old Sarum
Print made by David Lucas, 1802–1881
Old Sarum
1829 to 1830
Richard Parkes Bonington Road Workers, near Lillebonne
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
John Burnet The Lassie Herding Sheep
Print made by John Burnet, 1784–1868
The Lassie Herding Sheep
1843
Richard Principle Leitch Landscape with Ruined Castle on the Esk
Richard Principle Leitch, 1844–1875
Landscape with Ruined Castle on the Esk
1874
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
John Boyne Shepherd with Dog and Sheep
Print made by John Boyne, ca. 1750–1810
Shepherd with Dog and Sheep
1806
Anthony Devis Landscape with trees
Anthony Devis, 1729–1817
Landscape with trees
1801
George Arthur Fripp Old British Camp in Bulstrode Park
George Arthur Fripp, 1813–1896
Old British Camp in Bulstrode Park
1860
Francis Oliver Finch The Shepherd - Evening
Francis Oliver Finch, 1802–1862
The Shepherd - Evening
1845
David Cox Shepherding the Flock, Windy Day
David Cox, 1783–1859
Shepherding the Flock, Windy Day
1848
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
George Barret Jr. Tivoli: Classical Composition
George Barret Jr., 1767–1842
Tivoli: Classical Composition
between 1820 and 1830