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Collection Prints and Drawings
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1
- Who-o-p!
- 1898-1899
2
- Labourers
- 1789
3
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
4
- Christ and the Woman of Samaria
- 1819
5
- The Deluge
- between 1813 and 1823
6
- Rome from Monte Mario
- ca. 1818
7
- Val di Roppa, Corfu, 22 May 1868
- 1868
8
- Aged Ignorance; Plate 13
- 1793
9
- My Son! My Son!; Plate 10
- 1793
10
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
11
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
12
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
13
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
14
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
15
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
16
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
17
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
18
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
19
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
20
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
21
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
22
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
23
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
24
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
31
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
32
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
33
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
34
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
35
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
36
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
37
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
38
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
39
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
40
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
41
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
42
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
43
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
44
- Water; Plate 4
- 1793
45
- Alas!; Plate 9
- 1793
46
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
47
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
48
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
49
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
50
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
51
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
52
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
53
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
54
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
55
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
56
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
57
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
58
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
59
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
60
- Jerusalem, Plate 76
- 1804 to 1820
61
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
62
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
63
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
64
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
65
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
66
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
72
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
73
- Songs of Innocence and of Experience
- 1789-1794
74
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
75
- The Shepherd, from Songs of Innocence
- ca. 1795
76
- On the Seine
- 1770
77
- Three Soldiers in Armour Sitting on Stone Blocks
- undated
78
- Two Heads in a Roundel
- undated
79
- Two Men Fighting Before a Woman
- 1771
80
- High Street at Bushey, Hertfordshire
- 1812
81
- Landscape with Cottage and Figures on Horseback
- 1793
82
- Greenwich Hospital
- undated
83
- Haymaking
- undated
84
- Florence, from the Chiesa al Monte
- 1820
85
- Florence, from the Chiesa al Monte
- 1820
86
- Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
- undated
87
- Florence, from the Chiesa al Monte
- 1820
88
- View of Steiereck on the Danube
- ca. 1636
89
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
90
- Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq
- ca. 1812
91
- The Ruins of Leiston Abbey
- 1781
92
- Design for a Greenhouse at Kew Gardens
- undated
93
- View of Lucan House
- 1782
94
- A View of Several Palaces at Naples at Sun Rise
- undated
95
- A Regency House
- ca. 1820
96
- Figures in a Landscape by a River
- undated
97
- The Monnow Bridge, Monmouthshire
- before 1814
98
- Avenue and Entrance to St. James Barracks
- 1857
99
- Notre Dame, Paris
- between 1831 and 1845
100
- The Dilkoosha, Lucknow in the Distance
- 1866