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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1818

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201. Sir Henry Raeburn

Sir Henry Raeburn
Creator:
William Nicholson, 1781–1844
Date:
1818
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. More Humbugs, - or - Another Attack on John Bulls Purse

More Humbugs, - or - Another Attack on John Bulls Purse
Creator:
Charles Williams, active 1796–1830
Date:
1818
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/16 x 12 3/4in. (24 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Thomas Stothard, Esq. R. A.

Thomas Stothard, Esq. R. A.
Creator:
William Henry Worthington, ca. 1790–active 1839
Date:
1818
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Old Buildings, Lambeth

Old Buildings, Lambeth
Creator:
Richard Gilson Reeve, 1803–1889
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. St. Mary's, Lambeth

St. Mary's, Lambeth
Creator:
S. Jenkins, active 1814–1818
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835

A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
undated
Materials & Techniques:
Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 5/8 inches (16.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Unloading the Luggage From The Exeter Coach

Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Interior of a Post-House Stable, With Horses Feeding

Interior of a Post-House Stable, With Horses Feeding
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 16 13/16 inches (17.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Back View of Stout Rider on a Chestnut Horse

Back View of Stout Rider on a Chestnut Horse
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, smooth, blue, wove paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. A French Diligence of 1830

A French Diligence of 1830
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, red ink, and graphite on gray card
Dimensions:
Sheet: 7 1/2 × 14 15/16 inches (19.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. South East View of Samlesbury Hall, Lancashire

South East View of Samlesbury Hall, Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr

South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. South East View of Rushton hall, Northamptonshire

South East View of Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. The Court at Rushton hall, Northamptonshire

The Court at Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Staircase Leading from the hall at Burton Agnes Yorkshire

Staircase Leading from the hall at Burton Agnes Yorkshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Set of four - Fox-hunting. Going to Cover

Set of four - Fox-hunting. Going to Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Set of four- Fox-hunting. Full Cry

Set of four- Fox-hunting. Full Cry
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Set of four- Fox-hunting. Breaking Cover

Set of four- Fox-hunting. Breaking Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Set of four- Fox-hunting. The Death

Set of four- Fox-hunting. The Death
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. A Charging Mameluke Firing a Pistol

A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1823
Materials & Techniques:
Graphite with traces of red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. A Grey Horse Trotting Out of a Wood

A Grey Horse Trotting Out of a Wood
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 7 1/2 inches (17.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Mortar Battery at Woolwich

Mortar Battery at Woolwich
Creator:
Charles Hunt, 1803–1877
Date:
undated
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Study of a Hound, Running

Study of a Hound, Running
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 3/8 inches (16.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design

The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 9/16 × 20 7/8 inches (37 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation

The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper with black ink border
Dimensions:
Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Cottages at Chatsworth, Derbyshire: Elevation

Cottages at Chatsworth, Derbyshire: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 11/16 × 20 1/16 inches (34.8 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Cottages at Chatsworth: Presentation drawing

Cottages at Chatsworth: Presentation drawing
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/16 × 21 inches (40.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Rustic Scene with a River and a Bridge

Rustic Scene with a River and a Bridge
Creator:
Thomas Rowlandson, 1756–1827
Date:
1818
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Cottages at Chatsworth, Derbyshire: Elevation

Cottages at Chatsworth, Derbyshire: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 14 × 20 5/8 inches (35.6 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Cottages at Chatsworth, Derbyshire: Perspective

Cottages at Chatsworth, Derbyshire: Perspective
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 7/8 × 20 9/16 inches (35.2 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Cottages at Chatsworth, Derbyshire: Elevation

Cottages at Chatsworth, Derbyshire: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Cottages at Chatsworth, Derbyshire: Perspective

Cottages at Chatsworth, Derbyshire: Perspective
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 14 5/8 × 12 1/4 inches (37.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Cottages at Chatsworth, Derbyshire: Elevation

Cottages at Chatsworth, Derbyshire: Elevation
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Graphite, gray wash, and pen and black ink on slightly textured, medium, white wove paper
Dimensions:
Sheet: 12 13/16 × 19 inches (32.5 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Ruin behind the Free School, Thetford, Suffolk

Ruin behind the Free School, Thetford, Suffolk
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Young Woodcutter

Young Woodcutter
Creator:
Joshua Cristall, 1768–1847
Date:
1818
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:
Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire

Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire
Creator:
Joshua Cristall, 1768–1847
Date:
1818
Materials & Techniques:
Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Supreme Bon Ton of Tenerife

Supreme Bon Ton of Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. View of part of Realesco de abasco from the road to la Cruz Santa

View of part of Realesco de abasco from the road to la Cruz Santa
Creator:
Alfred Diston, active 1818–1829
Date:
1818
Materials & Techniques:
Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Hulk aground on beach

Hulk aground on beach
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 10 1/2 inches (16.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Study of Rocks at Mumbles

Study of Rocks at Mumbles
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 13 1/4 inches (26 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Stone Mason

Stone Mason
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 7 3/8 × 5 inches (18.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Study of Fishermen and Gear

Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Sketch of the Artist's Brother, Capt. Michael Atwell Slater

Sketch of the Artist's Brother, Capt. Michael Atwell Slater
Creator:
Joseph Slater, 1782–1837
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 5/16 inches (15.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Fish Porter in a Straw Hat

Fish Porter in a Straw Hat
Creator:
George Chambers, 1803–1840
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 7 inches (25.7 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. A Sketch of Sir Walter Scott in a Garden

A Sketch of Sir Walter Scott in a Garden
Creator:
Joseph Slater, 1782–1837
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 4 inches (12.1 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Sculpture on a Suite of Capitals in the Cloisters of the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy

Sculpture on a Suite of Capitals in the Cloisters of the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 inches (22.5 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Military School and Abbey Church of St Stephen at Caen

Military School and Abbey Church of St Stephen at Caen
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Elevation of the Church of Columbiers, near Valognes, Normandy

Elevation of the Church of Columbiers, near Valognes, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite, yellow wash, and gray wash on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 3/4 inches (22.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. West Doorway and Window in the Church of Ham near Valognes, Normandy

West Doorway and Window in the Church of Ham near Valognes, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 8 3/8 inches (31.8 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. East End of the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy

East End of the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 9 1/2 inches (34.9 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy

Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite, brown wash, and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 x 13 1/4 inches (23.8 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Castle Acre Priory, Norfolk

Castle Acre Priory, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/4 x 7 3/8 inches (24.8 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. A Sedilia in Upwell Church, Norfolk

A Sedilia in Upwell Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and yellow wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy

Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Capitals and A & B Bas-Reliefs in the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy

Capitals and A & B Bas-Reliefs in the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 7/8 inches (29.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Tower of the Village Church of Saint Maclou, Normandy

Tower of the Village Church of Saint Maclou, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 7 1/8 inches (30.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Church of Yainville, near Saint Georges de Bocherville, Normandy

Church of Yainville, near Saint Georges de Bocherville, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. St. Peter at Lisieux, Normandy: West Front

St. Peter at Lisieux, Normandy: West Front
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 10 3/4 inches (42.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. West Window of Snettisham Church, Norfolk

West Window of Snettisham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy

Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. La Palma

La Palma
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 7/8 inches (22.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Sailing Barges and Boats in a Choppy Sea

Sailing Barges and Boats in a Choppy Sea
Creator:
George Chambers, 1803–1840
Date:
undated
Materials & Techniques:
Graphite, gray wash and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/8 inches (17.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Soldiers Being Rowed Out to an Indiaman at Northfleet

Soldiers Being Rowed Out to an Indiaman at Northfleet
Creator:
George Chambers, 1803–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brush with black and brown ink, gouache, with scratching out, over graphite on slightly textured, moderately thick, beige wove paper on thick wove paper
Dimensions:
Sheet: 16 × 26 1/4 inches (40.6 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Village at Colna (India)

Village at Colna (India)
Creator:
Hubert Cornish, active 1803–1868
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and brown ink on slightly textured, medium, white wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Three Cows Tethered

Three Cows Tethered
Creator:
George Chinnery, 1774–1852
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Near Ventnor - Coastal Landscape with Dark Sky

Near Ventnor - Coastal Landscape with Dark Sky
Creator:
attributed to Eugene Isabey, 1803–1886
Date:
undated
Materials & Techniques:
Watercolor with scratching out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Berry Pomeroy Church

Berry Pomeroy Church
Creator:
Henry Edridge, 1769–1821
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 14 5/8 inches (24.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. At Ashford

At Ashford
Creator:
Attributed to Rev. Daniel Finch, 1757–1840
Date:
1818
Materials & Techniques:
Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place

No cover image available
Creator:
Thomas Hope, 1769–1831
Date:
1818
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 3/4 × 9 1/2 inches (32.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. An Interior View of Cold-Bath Fields Prison

No cover image available
Creator:
Thomas Rawson, 19th century
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. The Midshipmen's Birth

No cover image available
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Aquatint, tinted with watercolor
Dimensions:
Sheet: 9 1/8 x 17 3/16in. (23.2 x 43.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. View of the Admiralty

No cover image available
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Set of seven [Fox Hunting]. Taking the lead in defiance of Speed

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 x 14 1/2in. (30.5 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Set of seven [Fox Hunting]. The Pleasure of a view Holla

No cover image available
Creator:
after Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 x 14 1/2in. (30.5 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. [Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/2 x 17 3/8in. (31.8 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Epsom Races

No cover image available
Creator:
James Pollard, 1792–1867
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 x 17 5/8 inches (30.5 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Otter Hunting

No cover image available
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 5/8 x 20 3/4in. (37.1 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Set of four: A Hurdle Race

No cover image available
Creator:
Print made by Charles Hunt, 1803–1877
Date:
undated
Materials & Techniques:
Aquatint printed in color and colored by hand
Dimensions:
Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Symptoms: of Coming From the Hunt, of Star Gazing, Going to the Hunt, of an Elegant Writer, of Toasting and Old Friend.

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite, red chalk, with traces of gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 8 3/4 inches (19.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection