<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Date 1797

Remove constraint Date: 1797

Work Type intaglio print

Remove constraint Work Type: intaglio print

Search Results

Benjamin Smith "Tempest", Act I, Scene I
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
John Sell Cotman A Bridge
Print made by John Sell Cotman, 1782–1842
A Bridge
undated
Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
James Walker Carlisle
Print made by James Walker, 1748–1808
Carlisle
1797
John Sell Cotman Castle Above a Rocky Gorge
Print made by John Sell Cotman, 1782–1842
Castle Above a Rocky Gorge
undated
Thomas Burke Content and Innocence
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
Francis Haward Cymon and Iphigenia
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
William Ward Daughters of Sir Thomas Frankland
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
William Ward Daughters of Sir Thomas Frankland
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
James Walker Elgin Cathedral, Morayshire
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
James Walker Ely
Print made by James Walker, 1748–1808
Ely
1797
Francesco Bartolozzi Flight Into Egypt
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
James Walker Flint, from Park-Gate
Print made by James Walker, 1748–1808
Flint, from Park-Gate
1797
Bartholomew Howlett Grantham Church
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
James Walker Hampton Court, Herefordshire
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
James Walker Hampton Court, Herefordshire
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
John Sell Cotman Harlech Castle
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
Samuel William Reynolds Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
William Henry Brooke Herstmonceux Castle from the South
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
Robert Pollard His Majesty Reviewing His Troops on Black Heath
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
George Siegmund Facius John Smith, D.D.F.S.A.
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
Charles Knight Lady Hamilton as a Bacchante
Print made by Charles Knight, 1743–c.1826
Lady Hamilton as a Bacchante
1797
James Gillray Le Coup de Maitre
James Gillray, 1756–1815
Le Coup de Maitre
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
unknown artist Portrait de Van-Dyck
Print made by unknown artist
Portrait de Van-Dyck
undated
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
Francesco Bartolozzi Queen Catherine Howard
Print made by Francesco Bartolozzi, 1728–1815
Queen Catherine Howard
1797
John Raphael Smith Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
William Evans Sir Henry Charles Englefield, 7th Baronet
William Evans, active 1797–1856
Sir Henry Charles Englefield, 7th Baronet
undated
Edward Harding Sir John Medina
Edward Harding, 1755–1840
Sir John Medina
1797
Francesco Bartolozzi The Apotheosis of A Beautiful Female
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
Francesco Bartolozzi The Birth of Pyrrhus
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
Francesco Bartolozzi The Birth of Pyrrhus
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
William Ward The Daughters of Sir Thomas Frankland
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
William Ward The Daughters of Sir Thomas Frankland Bart.
William Ward, 1766–1826
The Daughters of Sir Thomas Frankland Bart
1797
John Murphy The Encampment at Brighton
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
John Whessell The Itinerant Potters
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
Francesco Bartolozzi The Right Honorable Lady Jane Dundas
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph
Print made by Charles Wilkin, 1750–1814
The Right Honourable Charlotte Viscountess St. Asaph
1797
Charles Wilkin The Right Honourable Lady Charlotte Duncombe
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
Caroline Watson The Right Honourable. James Harris, 1st Earl of Malmesbury
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
William Woollett The Rural Cott
William Woollett, 1735–1785
The Rural Cott
1797
Robert Dunkarton The Soldier's Widow; or Schoolboys' Collection
Robert Dunkarton, 1744–1811
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
John Whessell The Woodman's Return
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
Francesco Bartolozzi Their Royal Highnesses, The Prince & Princess Of Wales
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
Francesco Bartolozzi Ticket for the Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
Francesco Bartolozzi Ticket for the Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
Thomas Gaugain Turnips and Carrots
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797
Richard Earlom Vice Admiral Colpoys
Richard Earlom, 1743–1822
Vice Admiral Colpoys
1797
John William Edy View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
James Walker Westminster Bridge
Print made by James Walker, 1748–1808
Westminster Bridge
1797
James Walker Westminster Bridge
Print made by James Walker, 1748–1808
Westminster Bridge
1797
unknown artist William Cavendish, first Duke of Newcastle-upon-Tyne
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
1797
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797